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Andzrej Wadja’s Man of Marble holds a meta quality that still somehow feels radically different than Godard or Truffaut’s turns in Contempt and Day for Night. It attempts to channel a younger point of view — that of an ambitious student — with an overtly political agenda. Agn read more

Andrzej Wajda’s Man of Marble holds a meta quality that still somehow feels radically different than Godard or Truffaut’s turns in Contempt and Day for Night. It attempts to channel a younger point of view — that of an ambitious student — with an overtly political agenda. Agn read more

We’re used to getting our hands dirty in the thick of World War II, whether it is in the European theater or the Pacific, but very rarely do we consider the consequences that come in the wake of such an earth-shattering event. Things do not end just like that. There must be periods of rebuildi read more

We’re used to getting our hands dirty in the thick of World War II, whether it is in the European theater or the Pacific, but very rarely do we consider the consequences that come in the wake of such an earth-shattering event. Things do not end just like that. There must be periods of rebuildi read more

With Aaron Sorkin’s script as a road map, Charlie Wilson is a character that Mike Nichols can truly have fun with. You can easily see him getting an undue amount of delight in this man who was able to do such a momentous thing while simultaneously walking on the wild side. It had to be a good read more

With Aaron Sorkin’s script as a road map, Charlie Wilson is a character that Mike Nichols can truly have fun with. You can easily see him getting an undue amount of delight in this man who was able to do such a momentous thing while simultaneously walking on the wild side. It had to be a good read more

Peter Lorre has a face that will forever live in cinematic infamy, and it started with M. In truth, Fritz Lang’s drama involving a serial killer feels fresh and engaging even after all these years, maybe because humanity hasn’t changed all that much. We still murder, we still kill, we read more

Peter Lorre has a face that will forever live in cinematic infamy, and it started with M. In truth, Fritz Lang’s drama involving a serial killer feels fresh and engaging even after all these years, maybe because humanity hasn’t changed all that much. We still murder, we still kill, we read more

This is unequivocally the age of sound! That’s what this film proclaims from the rooftops with its symphony of syncopation as the world of Paris awakens from its slumber. It’s opening rhythms are pure ingenuity and the glorious unfoldings never ceases for the rest of the cheery productio read more

This is unequivocally the age of sound! That’s what this film proclaims from the rooftops with its symphony of syncopation as the world of Paris awakens from its slumber. Its opening rhythms are pure ingenuity and the glorious unfoldings never cease for the rest of the cheery production. In it read more

One would never think that one well placed wink would change the course of an entire life or be the basis for an entire film, but on both accounts it is true. Ernst Lubitsch’s The Smiling Lieutenant represents all that is good and right about one of his films. It’s light and airy with a read more

One would never think that one well-placed wink would change the course of an entire life or be the basis for an entire film, but on both accounts it is true. Ernst Lubitsch’s The Smiling Lieutenant represents all that is good and right about one of his films. It’s light and airy with a read more

The same year as Grand Hotel there came another film, that while still boasting an ensemble cast felt far more intimate. In its day it was christened “Grand Hotel on wheels” and its narrative does unravel aboard a train. However, Josef von Sternberg’s film opens with a faceless atm read more

The same year as Grand Hotel there came another film, that while still boasting an ensemble cast felt far more intimate. In it’s day it was christened “Grand Hotel on wheels” and its narrative does unravel aboard a train. However, Josef von Sternberg’s film opens with a facel read more

It’s curious that the first image October conjures up is a biblical nightmare from the book of Daniel. In that instance, the Babylonian king is frightened in his dream by a giant statue that comes tumbling to the ground. Of course, in that context it had a lot of the same connotations, that hi read more

It’s curious that the first image October conjures up is a biblical nightmare from the book of Daniel. In that instance, the Babylonian king is frightened in his dream by a giant statue that comes tumbling to the ground. Of course, in that context, it had a lot of the same connotations, that h read more

“I always did like a man in a uniform. That one fits you grand. Why don’t you come up sometime and see me? I’m home every evening.”  ~ Mae West Mae West is a larger-than-life personality if there ever was one. So large in fact that it’s hard to believe she was even a re read more

“I always did like a man in a uniform. That one fits you grand. Why don’t you come up sometime and see me? I’m home every evening.”  ~ Mae West Mae West is a larger-than-life personality if there ever was one. So large in fact that it’s hard to believe she was even a re read more

My father has always maintained that two of his favorite films are The Magnificent Seven and True Grit. The first one makes sense with its stellar cast, resplendent score, and some top rate gunslinging. The second film, well, it makes sense too, but for completely different reasons. Director Henry H read more

My father has always maintained that two of his favorite films are The Magnificent Seven and True Grit. The first one makes sense with its stellar cast, resplendent score, and some top rate gun slinging. The second film, well, it makes sense too, but for completely different reasons. Director Henry read more