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If Yasujiro Ozu can be considered foremost among Japan’s preeminent directors then there’s no doubt that Ohayo (Good Morning in English) is one of his most delightfully silly films. But that’s only on the surface level. Young boys are unified in their affection for watching sumo on read more

We meet a college-aged Korean guy (Cha Tae-hyun) as he relates his first encounter with the girl (Jun ji-hyun) who would ultimately become his girlfriend. In the throes of a drunken stupor, she flails perilously near the railway as an incoming train comes on so he steps in to pull her back to safet read more

It’s not something you think about often but stoners and film noir fit together fairly well. Why more people haven’t capitalized on this niche is rather surprising. Think about it for a moment. film noir in the classic sense is known for its private eyes, femme fatales, chiaroscuro cinem read more

My dad has been and forever will be a fountain of pop cultural knowledge. I learned the little I know from the best, the difference is, he lived through most of it. Still, I must admit, at times I didn’t believe some of these touchstones of yesteryear when I was a kid. How could anyone have a read more

“I’m a stranger here myself.” ~ Sterling Hayden as Johnny Guitar In watching even only a handful of Nicholas Ray films, it’s possible to discern fairly quickly that his films are often about the marginalized outsiders. Rebel Without a Cause (1955) is the most iconic example read more

Jules and Jim breaks out of the gates with a frantic burst of energy giving off the effect of a comedic circus act or a whirling carousel and at times it functions as both. Champion of the French New Wave, Francois Truffaut, at 29 years of age injects the film with this kind of frantic lifeblood te read more

I never put much stock in a Hitchcock title out of force of habit or lack thereof because he never seemed to. But thinking on Notorious I came to the rather unextraordinary epiphany that it refers to lovely Ingrid Bergman as much as any Nazi, at least from a certain perspective. In the film, she pl read more

The Fault… is Not in Our Stars, But in Ourselves… — William Shakespeare It’s so easy to adore Ingrid Bergman and it’s no different in Spellbound. Yes, she starts off as an austere psychiatrist purely interested and invested in scientific thought and practices in psychoanalys read more

Rope’s title sequence is composed of your prototypically serene establishing shot. But really, you could not have a more unique and in some sense unnerving picture. It was Alfred Hitchcock’s first foray into Technicolor and it’s quite the looker as are the beautifully constructed read more

Entering into the latest Avengers blockbuster I felt like I was missing something thanks to a cold open that places us in an unfamiliar environment. That’s a feeling that has come upon me on multiple occasions previously. Not only because as a mild enthusiast I’ve missed a stray entry he read more

“It’s my duty as an American citizen to believe a man innocent until he is proven guilty.”  I stand corrected. Maybe Foreign Correspondent (1940) is not Alfred Hitchcock’s most patriotic movie. Maybe it’s Saboteur, made two years later. Or maybe they are both made by read more

I can’t even begin to comprehend what it’s like to get laid off in Tokyo. In any city, any place, any circumstance it’s one of the feelings which would instigate the formation of a lump in your throat. But Tokyo is swarming with so many people and so much competition; it seems lik read more

  Though director Anthony Mann later made a name for himself with a string of Westerns pairing him with James Stewart, it’s just as easy to enjoy him for some of the diverting crime pictures he helped craft. Everything from Raw Deal (1948) to T-Men (1947), He Walked by Night (1948), and read more

If Alfred Hitchcock had any contribution to the war effort then Foreign Correspondent would no doubt be it. Nazi Minister of Propaganda Joseph Goebbels was purported to have admired its qualities as a work of propaganda and that’s high praise coming from someone who was quite familiar with in read more

“Last night I dreamt I went to Manderley again…” ~ Joanne Fontaine in Rebecca  In normal circumstances, voice-over introductions rarely resonate but for some reason, the ethereal tones of Joan Fontaine opening Rebecca leave a lasting impact and that’s after well nigh 80 year read more

At first glance, this doesn’t seem like the type of picture suited for Steve McQueen and Natalie Wood. He was “The King of Cool.” She was a major player from childhood in numerous classics. Neither was what most people considered a serious actor. They were movie stars. They had cha read more

Bull Durham is actually a fairly religious film. The only catch is the fact that the religion in question is baseball with its multitude of superstitions, curses, annual rituals, and rites of passage performed daily by all those playing in the games or sitting in the bleachers cheering on their clu read more

For all intent and purposes, Psycho could be an episode of Alfred Hitchcock Presents and Hitchcock knew that better than anyone else. Foregoing the more lavish Technicolor tones he had used in Vertigo (1958) and North by Northwest (1959) and lacking the same type of studio backing, he shot this fil read more

There’s little doubt that To Catch a Thief is Hitchcock at his breeziest and with the once-in-a-lifetime pairing of Cary Grant and Grace Kelly the picture could coast on looks and charm alone. Not simply based on the attributes of its stars either but the extensive on location shooting boasti read more

There’s little doubt that To Catch a Thief is Hitchcock at his breeziest and with the once-in-a-lifetime pairing of Cary Grant and Grace Kelly the picture could coast on looks and charm alone. Not simply based on the attributes of its stars either but the extensive on location shooting boasti read more