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The connotation of the film’s lurid title feels slightly deceptive. Because The Lusty Men might have basic elements of men who desire after women but it’s fairly restrained in this regard. At least more than I initially conceived. However, it is a film characterized by a zeal or a lust f read more

I’m back at it again with a new Beginner’s Guide where we take a famous person and make their lengthy career manageable by picking 4 films to watch in order to get your feet wet. Here’s a jumping-off point for Katharine Hepburn. I make a point of not quantifying actors by how many read more

Run Silent, Run Deep features what amounts to a cold open, set in the Bungo Straits, near the coast of Japan in 1942. The foreboding sonar-infused score by Franz Waxman suggests this will be a no-nonsense war drama and sure enough, within the first 5 minutes, a submarine commanded by one P.J. Richa read more

As of late, it feels like the world has entered a bit of a Mr. Roger’s Reinnaissance. He’s been gone since 2003 and yet last year we had Morgan Neville’s edifying documentary Won’t You Be My Neighbor? There are podcasts galore including Finding Fred and then Mr. Rogers’ read more

I Want to Live! calls upon the words of two men of repute to make an ethos appeal to the audience. The first quotation is plucked from Albert Camus. I’m not sure what the context actually was but the excerpt reads, “What good are films if they do not make us face the realities of our tim read more

Here is the first of two purported instances where Paul Newman wound up taking on roles earmarked for the recently deceased James Dean. Dean even had a fairly visible relationship with Pier Angeli who would have been his co-star. At one point, there was even talk of marriage swirling around though read more

Barry Sullivan has an absolute field day as a homicide cop, Lt. Collier Bonnabel, with very calculated methods of getting to the root of every crime. Whether it comes by pushing, cajoling, romancing, tricking, flattering — he’ll do whatever is necessary. What matters to him is to keep st read more

The scene is set. It’s a week before Christmas. We find ourselves in the charming community called Balboa, 50 miles from Los Angeles, and Joan Bennett drives off into the city for very urgent business. She meets an undesirable in a bar, but this is by no means a tryst. She is facing a sleazy read more

The ever effervescent Deanna Durbin is sprawled out on the seat of a train car feverishly reading the pages of her thrilling mystery novel aloud. She happens to glance out the window only to stop and see a man bludgeoned to death with a crowbar! It was through the window shade, and we don’t s read more

Christmas Holiday begins as a movie we’ve probably seen before countless times. A returning G.I. (Dean Harens) is getting ready for some Christmas leave except our star is as stiff as cardboard and that comes before he gets the sobering news. The girl he was intent on marrying has duped him t read more

We must acknowledge the elephant or rather, the rabbit in the room. Grappling with the intersection of Nazis and humor has always been a loaded and controversial topic. But usually, it fosters conversation nonetheless so here’s an attempt to provide some meager context. The Great Dictator (194 read more

The Naked City begins inauspiciously enough with a flyover of New York and an introduction by producer Mark Hellinger. It seems like we’ve seen this countless times before. It’s almost like a stock image. And yet in the case of this picture, it was really one of the forerunners of a mov read more

We follow up last week’s guide to classic film noir of the 1940s by continuing into the 1950s with 4 more entries. With the new decade came new progressions in realism, location shooting, and heightened character psychology. As Paul Schrader wrote, the noir hero started to “go bananas.&# read more

It feels like we might have the courtesy of a bit of Gershwin masquerading under the cloak of noir. We find ourselves at a hole-in-the-wall jazz joint after hours. Club 39 feels free and easy with an intimate jam sesh. Petey Brown (Ida Lupino) is having fun with a rendition of “The Man I Love. read more

Of the plethora of returning G.I. films and film noirs, this one reflects their fears most overtly and for this very reason, it might be generally the most forgotten today. That and the assembly of a lower-tier cast. Most of these names have been lost to time. The one name remaining fairly enduring read more

Edgar Buchanan always annoyed me endlessly on Green Acres reruns, and it’s affected me for a long time. Because only recently have I begun to realize just how broad and robust his body of film work is. He can be categorized with a breed of movie actor that is generally lost in today’s i read more

The Blue Gardenia chooses to establish its characters and allow ample time for the audience to get acquainted with all the players. It’s genuinely a pleasure as we have a number of affable people to grow accustomed to over the course of the story. There’s local journalist Casey Mayo (Ri read more

In our ongoing series to help budding classic movie fans know where to start with the classics, I thought it would be fitting time to offer up 4 movies to try and summarize the film noir movement. If you’re unfamiliar with the term, it’s literally the French term for “black” read more

Brighton Rock, based on a Graham Green novel from 1938, opens with a disclaimer about the proceeding content. Great pains are made to differentiate the place depicted within the frames of the film — set before WWII — and Brighton circa 1947. The only reason such a note would be necessar read more

In screenwriting 101 they always say engaging movies employ ticking clocks from start to finish. Ministry of Fear takes this quite literally, opening with the tick-tock of a clock face as Stephen Neale (Ray Milland) sits in rapt attention, waiting for the bells to chime. At first, we’re not s read more