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Seven Shadows – Day Five: OUT OF THE PAST
Shadows and Satin Posted by shadowsandsatin on May 5, 2012
Whit Sterling is about to put the literal “smackdown” on Kathie Moffat. Today, Seven Shadows looks at one of the most awesome of awesome films noirs: Out of the Past. (For Andrew’s review of this classic, skip on over to his site, 1001 Movies I [Apparently] MUST See Before I Die.) It’s read more
Seven Shadows – Day Four: THE KILLERS by Andrew D.
Shadows and Satin Posted by shadowsandsatin on May 4, 2012
Running Time: 105 minutes Directed By: Robert Siodmak Written By: Anthony Weller, from story by Ernest Hemingway Main Cast: Burt Lancaster, Ava Gardner, Edmond O’Brien, Albert Dekker, Sam Levene For those of you who may be new to my writings, I want to thank you for taking the time to read this and read more
Seven Shadows – Day Three: THE POSTMAN ALWAYS RINGS TWICE
Shadows and Satin Posted by shadowsandsatin on May 3, 2012
I have a soft spot for The Postman Always Rings Twice – it’s one of the few noirs I’ve ever seen on the big screen, and one of the first I ever saw, many (many) years ago. (For the review of this classic noir, check out Andrew’s entry for Seven Shadows Week over at 1001 Movies I [Apparently] read more
Seven Shadows – Day Two: MILDRED PIERCE by Andrew D.
Shadows and Satin Posted by shadowsandsatin on May 2, 2012
Save for the beginning and the end, Mildred Pierce isn’t your typical piece of film noir, at least it’s not what I think of when I picture the genre. As the film opens, gunshots fill the air and a mustached man, whom we later learn is Monte Beragon (Scott), keels over dead, his last word: “Mildred!” read more
Seven Shadows – Day One: MURDER, MY SWEET
Shadows and Satin Posted by shadowsandsatin on May 1, 2012
“Now, look, Marlowe – we’re arraigning you. It ain’t personal. We don’t like you, but it ain’t personal.” I love this line, with its staccato delivery and wry meaning, which comes mere seconds after the start of Murder, My Sweet – a classic 1944 offering from the film noir era starring read more
Introduction to Seven Shadows by Andrew D.
Shadows and Satin Posted by shadowsandsatin on Apr 30, 2012
So who am I and what am I doing on your favorite blog? For starters, if this is your favorite blog, then allow me to congratulate you on having exceptional taste. But back to my main point, which is introducing myself. My name is Andrew D. and back in the fall of 2009 I purchased a book entitled, 10 read more
Stay Tuned . . . Seven Shadows is Coming . . .
Shadows and Satin Posted by shadowsandsatin on Apr 19, 2012
Seven Shadows, a week-long cross-over blog event, will shine the spotlight on seven of the greatest features of the classic film noir era. The event will feature reviews written by Andrew from 1001 Movies I (Apparently) MUST See Before I Die and related articles penned (keyboarded?) by yours truly, read more
Anita Page in Under Eighteen (1932)
Shadows and Satin Posted by shadowsandsatin on Apr 15, 2012
Under Eighteen tells the story of Margie Evans (Marian Marsh), a young seamstress struggling through the effects of the Depression and tempted to emulate the “smart girls” who use their feminine wiles to snag the finer things in life. As the film opens, Margie is helping to prepare her older sister, read more
TCM Pick for April: Film Noir
Shadows and Satin Posted by shadowsandsatin on Apr 7, 2012
Unlike the sparseness of April’s pre-Code offerings on TCM, the channel is fairly bursting at the seams this month with first-rate film noir features! In fact, I was hard-pressed, initially, to come up with my pick. Would it be Gilda, a sentimental favorite as one of my first-seen and most-lov read more
TCM Pick for April: Pre-Code
Shadows and Satin Posted by shadowsandsatin on Apr 3, 2012
The TCM pre-Code pickings are slim in April, y’all. I didn’t have a whole lot to choose from, but there is a morning filled with Kay Francis pre-Code features on April 6th, and of these, I managed to find my pick of the month: Guilty Hands (1931), starring Lionel Barrymore, Madge Evans, and the read more
A Noir Banquet: The Dark Page and The Dark Page II
Shadows and Satin Posted by shadowsandsatin on Mar 18, 2012
Start saving your pennies. At $95 each for a two-volume series, The Dark Page and The Dark Page II: Books That Inspired American Film Noir, are pricey, but they’re worth every cent. The first thing to recommend these massive tomes is the catchy and inventive name (wink, wink)! But there’s so much read more
Quotes in Pre-Code: The Office Wife (1930)
Shadows and Satin Posted by shadowsandsatin on Mar 17, 2012
In this first-rate pre-Code feature, Dorothy Mackaill stars as Anne Murdock, a typist who is elevated to the position of personal secretary to the company head, Lawrence Fellows, played by Lewis Stone. On her first day of the gig, Anne is summoned by her former supervisor, J.P. McGowan (Hobart Boswo read more
Truth is Stranger Than Fiction (and sometimes they’re one and the same!)
Shadows and Satin Posted by shadowsandsatin on Mar 15, 2012
So I was flipping through the September 7, 1953, issue of Time magazine the other day – you know, the one with Audrey Hepburn on the cover (she’s such a delightful sprite, isn’t she?) – when I came across a write-up in the “National Affairs” section of the publication. In the news for the read more
TCM Pick for March: Film Noir
Shadows and Satin Posted by shadowsandsatin on Mar 11, 2012
In my humble opinion, Richard Widmark was one of the greatest actors of his era. He was outstanding in his film debut, Kiss of Death (1947), as the manically giggling, woman-in-a-wheelchair-shoving hood Tommy Udo, and he was just as memorable in No Way Out (1950), Road House (1948), Don’t Bother to read more
Gone Too Soon: Steve Cochran
Shadows and Satin Posted by shadowsandsatin on Mar 10, 2012
The following post is my entry in the Gone Too Soon Blogathon presented by Comet Over Hollywood. Take some time to read these great entries! You only owe it to yourself. With his swarthy good looks and tough-guy demeanor, Steve Cochran was a natural for the hoods and cutthroats he so often portrayed read more
TCM Pick for March: Pre-Code
Shadows and Satin Posted by shadowsandsatin on Mar 4, 2012
Jean Harlow and Lee Tracy create comedy gold. Jean Harlow had a gorgeous face, a knockout body, a head full of striking white-blonde hair, and a flair for comedy – and she demonstrated them all to great advantage in Bombshell (1933), my favorite Harlow film. In addition to Harlow, this movie serves read more
Top 10 Reasons Why I Love Double Indemnity
Shadows and Satin Posted by shadowsandsatin on Feb 22, 2012
Double Indemnity is my favorite film noir. There. I’ve said it. Aside from its superb writing, awesome acting, and gorgeous cinematography, this film holds a very special place in my heart because it was the first film noir I ever saw – long before I knew what film noir was. I’ve seen it literally read more
The 7 x 7 Link Award!
Shadows and Satin Posted by shadowsandsatin on Feb 19, 2012
You know what I say (every now and then) – better late than as late as I was the last time I acknowledged an award! I am popping my buttons, floating on air, and just plain tickled to pieces to share the news of my second blog award! Last month, my pal Kristina over at Speakeasy (and our most awesom read more
Frankly, My Dear . . . It’s Classic Movie Survey Time!
Shadows and Satin Posted by shadowsandsatin on Feb 16, 2012
And now for something completely different! By pure serendipity, I happened upon a fun survey by Rianna over at the totally delightful blog, Frankly, My Dear. I’ve thought about completing other surveys that I’ve seen, but never seemed to get around to it. But this time, I was determined (even read more
Femme Noir Discoveries . . . or, How I Got My Big Break
Shadows and Satin Posted by shadowsandsatin on Feb 13, 2012
Ever wonder how some of the stars of noir got their big breaks on the big screen? Read on! Ida Lupino took the gig intended for her mother. Ida Lupino (Roadblock, Private Hell 36, On Dangerous Ground) Lupino’s big break in films came in 1932 when she was cast in Her First Affaire. It was her mother, read more