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Bluebeard in Black and White: Fritz Lang’s “Secret Beyond the Door”

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This is my contribution to the Fairy Tale Blogathon hosted by the always-fascinating Movies Silently. Check out more of the posts there! Let me start this post about Secret Beyond the Door by blaming the enchanting Angela Carter. Carter (1940 – 1992) wrote some of my favorite books, including The read more

Tyrone Power Lurches Down “Nightmare Alley”

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An odd but now well-regarded film noir, with A-list stars and production staff, and a larger-than-normal budget, “Nightmare Alley” is based on William Lindsay Gresham’s squalid 1946 novel. In an attempt to move away from his usual roles as a romantic lead and adventurer, Tyrone Power bou read more

Bound by Flesh

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Bound by Flesh, a 2012 documentary directed by Leslie Zemeckis (married to Robert Z.),  is about the Hilton twins. Violet and Daisy were the most successful vaudeville act in their day—which is saying quite a lot. In 1908, Violet and Daisy were born conjoined and sold—yes, sold—by their mother read more

AFI Fest 2014: Takashi Miike’s Over Your Dead Body

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Day Four: Takashi Miike’s Over Your Dead Body (2014) I had a ticket to “Song of the Sea,” the new animated film by Tomm Moore (“The Secret of Kells,” 2009) but couldn’t make it. I’m looking forward to seeing it, albeit on a much smaller screen, when it come read more

The “Austere Wickedness”* of Alain Delon in “Purple Noon”

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My husband refers to Alain Delon as “farcically good-looking,” and, really, Delon is so good-looking, it’s practically an insult. He was a mere 25 when he made “Plein Soleil” (known in English as “Purple Noon” for no good reason I can find) with director René Clément. read more

“The Conformist” (1970) dir. Bernardo Bertolucci

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Bernardo Bertolucci’s The Conformist (1970) is another movie I’ve been meaning to watch for ages and ages, another one of the films I know I should see. Unlike a lot of the great films one should see, this is one I immediately wanted to watch again. The Conformist is certainly a great film, a beauti read more

AFI Fest 2014: Villa Touma (Suha Arraf)

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Day Five: Suha Arraf’s Villa Touma (2014) In the spirit of recent posts at Krell Laboratories (“Rethinking the American Canon”) and Girls Do Film (“A Realisation…and a New Year Resolution”) on the paucity of work by women directors, and in the less lofty spirit read more

Army of Shadows (L’armée des ombres, 1969), Part 1: Snoopathon

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Once again, I seem to have chosen the one of the least typical examples of the genre for a genre-based blogathon. “L’armée des ombres” (“Army of Shadows”), Jean-Pierre Melville’s 1969 film about a small group of French Resistance fighters during World War II, is undeniably a spy film. And read more

“Cactus Flower” (1969): An Unexpected Gem

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Unexpected gem: “Cactus Flower,” directed by Gene Saks, viewed thanks to Turner Classic Movies. Saks, who also directed “Barefoot in the Park” (1967) and “The Odd Couple” (1968), worked a fair amount with writer/producer Neil Simon. More recently, he played Woody read more

SBIFF 2015: “Second Chance” (2014) & “Confession” (2014)

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Taiwanese film number two of the festival was the frothy “Second Chance,” directed by Wen-yen Kung. Okay, maybe not frothy exactly, but definitely bubbly. “Second Chance” is (I assume) one of the only action movies about pool. Yes, that kind of pool, where you stand around read more

Bluebeard’s Eighth Wife (1938): A Brackett-Wilder Collaboration

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A contribution to the Billy Wilder Blogathon, hosted by Once upon a screen… and Outspoken & Freckled.   Brackett, reclining, and Wilder hard at work on something awesome. Ernst Lubitsch’s 1938 comedy “Bluebeard’s Eighth Wife,” starring Claudette Colbert and Gary Cooper, read more

New series – A Random Weekly Roundup

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I’m going to try a regular Sunday series: a weekly roundup of interesting movie tidbits–essays, posts, news, etcetera. I’ll keep it short this week, with three items. First up, The Secret Life of Walter Mitty, second time around. Here’s the trailer for Ben Stiller’s new read more

Aelita, Queen of Mars (1924): Russia in Classic Film Blogathon

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You will never get my fabulous headgear! Never! (Yuliya Solnetseva as Aelita) Well, it’s some kind of thing. As a portrait of the early Soviet state, “Aelita: Queen of Mars” (1924) is fascinating. As a film, less so. What makes it interesting is probably also what makes it not a gr read more

Go see “Snowpiercer” … if you can

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Go. Now. I had the good fortune to be in Los Angeles when Bong Joon-ho’s new film, “Snowpiercer,” opened there mid-July. So, I dragged my mom to see it at the only place it was playing on the West Side, a somewhat run-down multiplex on Santa Monica’s Third Street Promenade. L read more

Sunday Random Roundup for August 18, 2013

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Welcome back, dear readers, for this week’s edition of the Sunday Random Roundup. Big Films in Other Places Remember last week’s rant about the state of film distribution in the U.S.? Well, here’s some potentially good news: Local films seem to be outdoing Hollywood “blockbus read more

House of Bamboo (1955): Cinemascope! Blogathon

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1) Samuel Fuller. Samuel Fuller did not mess around. His films are usually described as “in-your-face,” “pulpy,” and “crude.” They are, and they are magnificent. Fuller made films about things that mattered to him, and you can tell. He said films should start wit read more

Wheels on Meals (1984): What’s Kung Fu without Leg Warmers?

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This post is part of Forgotten Films’ 1984 Blogathon. So much 1984. So little time. The year 1984 was not awesome in a lot of ways. But it was a great year for films—check out the other 1984 Blogathon entries—and it was a big deal specifically for Hong Kong: The Sino-British Joint Declaration read more

Sunday Random Roundup for September 1, 2013

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Greetings and salutations, dear readers. It’s been another week, somehow. First, a little blog-related news. I have plans for some posts about specific films that I hope to have ready sometime this week. Second, great news about the Alice Guy-Blaché Kickstarter project I mentioned last week: read more

Paul Morrissey’s Baron Frankenstein: The Great Villain Blogathon

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There is a lot of yelling in Paul Morrissey’s “Flesh for Frankenstein,” primarily overbred aristocrats shouting at peasants. One of the things that makes this film so special is what the rich are yelling about: zombies. And sex. If Shelley’s Victor Frankenstein was a man dri read more

Having Your Cake in Fritz Lang’s “Ministry of Fear” (1944)

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After the first couple of paragraphs, this post is pretty much nothing but “Ministry of Fear” spoilers. Ye’ve been warned. During the 30s and early 40s, Austrian-exile Fritz Lang wanted to make not just anti-fascist pictures, but anti-Nazi pictures. In the American studios where Lang beg read more
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