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Hitchcock Biographer Patrick McGilligan Discusses VERTIGO with John Greco

Lady Eve's Reel Life Posted by The Lady Eve on Jan 19, 2012

by guest contributor John Greco John Greco of Twenty Four Frames recently interviewed award-winning biographer Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light (Harper Collins, 2004). The focus of their dialogue was the director's mysterious and magnificent Vertigo. J read more

Hitchcock Biographer Patrick McGilligan Discusses VERTIGO with John Greco

Lady Eve's Reel Life Posted by The Lady Eve on Jan 19, 2012

by guest contributor John Greco John Greco of Twenty Four Frames recently interviewed award-winning biographer Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light (Harper Collins, 2004). The focus of their dialogue was the director's mysterious and magnificent Vertigo. J read more

An Inconsequential Yarn

Lady Eve's Reel Life Posted by The Lady Eve on Jan 16, 2012

by guest contributor Steven DeRosa “They say every true San Franciscan has one foot on a hill and the other in the past.”—Kate in Samuel Taylor’s The Pleasure of His Company Since Vertigo is a film that garners such personal reactions, I wanted to begin this piece on som read more

An Inconsequential Yarn

Lady Eve's Reel Life Posted by The Lady Eve on Jan 16, 2012

by guest contributor Steven DeRosa “They say every true San Franciscan has one foot on a hill and the other in the past.”—Kate in Samuel Taylor’s The Pleasure of His Company Since Vertigo is a film that garners such personal reactions, I wanted to begin this piece on som read more

An Inconsequential Yarn

Lady Eve's Reel Life Posted by The Lady Eve on Jan 16, 2012

by guest contributor Steven DeRosa “They say every true San Franciscan has one foot on a hill and the other in the past.”—Kate in Samuel Taylor’s The Pleasure of His Company Since Vertigo is a film that garners such personal reactions, I wanted to begin this piece on som read more

VERTIGO: More than just the streets of San Francisco...

Lady Eve's Reel Life Posted by The Lady Eve on Jan 13, 2012

By guest contributor Michael Nazarewycz It’s easy to take for granted a film’s location. Some settings, of course, are mandatory to support the historical accuracy of a film; consider the importance of location in a war picture or biopic.  Other settings might no read more

VERTIGO: More than just the streets of San Francisco...

Lady Eve's Reel Life Posted by The Lady Eve on Jan 13, 2012

By guest contributor Michael Nazarewycz It’s easy to take for granted a film’s location. Some settings, of course, are mandatory to support the historical accuracy of a film; consider the importance of location in a war picture or biopic.  Other settings might no read more

VERTIGO: More than just the streets of San Francisco...

Lady Eve's Reel Life Posted by The Lady Eve on Jan 13, 2012

By guest contributor Michael Nazarewycz It’s easy to take for granted a film’s location. Some settings, of course, are mandatory to support the historical accuracy of a film; consider the importance of location in a war picture or biopic.  Other settings might no read more

Kim Novak in VERTIGO: A Hypnotic Presence

Lady Eve's Reel Life Posted by The Lady Eve on Jan 10, 2012

by guest contributor Brandie Ashe Scratch the surface of the prototypical “Hitchcock blonde”—a cool, reserved exterior masking a fiery and determinedly passionate woman—and the subtle differences in their characterizations become more evident.  In her three films for th read more

Kim Novak in VERTIGO: A Hypnotic Presence

Lady Eve's Reel Life Posted by The Lady Eve on Jan 10, 2012

by guest contributor Brandie Ashe Scratch the surface of the prototypical “Hitchcock blonde”—a cool, reserved exterior masking a fiery and determinedly passionate woman—and the subtle differences in their characterizations become more evident.  In her three films for th read more

Kim Novak in VERTIGO: A Hypnotic Presence

Lady Eve's Reel Life Posted by The Lady Eve on Jan 10, 2012

by guest contributor Brandie Ashe Scratch the surface of the prototypical “Hitchcock blonde”—a cool, reserved exterior masking a fiery and determinedly passionate woman—and the subtle differences in their characterizations become more evident.  In her three films for th read more

The Costumes of VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 7, 2012

by guest contributor Christian Esquevin “I don’t wear suits, and I don’t wear gray. Another thing, I don’t wear black pumps,” said Kim Novak to Edith Head, the costume designer for Vertigo. “I don’t care what she wears as long as it’s a gray suit," Hi read more

The Costumes of VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 7, 2012

by guest contributor Christian Esquevin “I don’t wear suits, and I don’t wear gray. Another thing, I don’t wear black pumps,” said Kim Novak to Edith Head, the costume designer for Vertigo. “I don’t care what she wears as long as it’s a gray suit," Hi read more

The Costumes of VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 7, 2012

by guest contributor Christian Esquevin “I don’t wear suits, and I don’t wear gray. Another thing, I don’t wear black pumps,” said Kim Novak to Edith Head, the costume designer for Vertigo. “I don’t care what she wears as long as it’s a gray suit," Hi read more

Bernard Herrmann - Composer Of Haunting Music and Treacherous Dreams

Lady Eve's Reel Life Posted by The Lady Eve on Jan 4, 2012

by guest contributor Whistlingypsy Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. ~ excerpt from Peter Quince at the Clavier by Wallace Stevens "I don’t think Mozart’s going to help at all." ~ Midge in Vertigo British read more

Bernard Herrmann - Composer Of Haunting Music and Treacherous Dreams

Lady Eve's Reel Life Posted by The Lady Eve on Jan 4, 2012

by guest contributor Whistlingypsy Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. ~ excerpt from Peter Quince at the Clavier by Wallace Stevens "I don’t think Mozart’s going to help at all." ~ Midge in Vertigo British read more

Bernard Herrmann - Composer Of Haunting Music and Treacherous Dreams

Lady Eve's Reel Life Posted by The Lady Eve on Jan 4, 2012

by guest contributor Whistlingypsy Just as my fingers on these keysMake music, so the self-same soundsOn my spirit make a music, too.~ excerpt from Peter Quince at the Clavier by Wallace Stevens "I don’t think Mozart’s going to help at all."~ Midge in Vertigo British composer Ralph Vau read more

Deadly Obsession: Alfred Hitchcock's VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 1, 2012

by guest contributor R.D. Finch "What's that old Oscar Wilde thing? 'Each man kills the thing he loves...' That I think is a very natural phenomenon, really." Alfred Hitchcock, in a 1963 interview In his fifty-five year long career in films, Alfred Hitchcock directed sixty-seven movies. At least a read more

Deadly Obsession: Alfred Hitchcock's VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 1, 2012

by guest contributor R.D. Finch "What's that old Oscar Wilde thing? 'Each man kills the thing he loves...' That I think is a very natural phenomenon, really." Alfred Hitchcock, in a 1963 interview In his fifty-five year long career in films, Alfred Hitchcock directed sixty-seven movies. At least a read more

Deadly Obsession: Alfred Hitchcock's VERTIGO

Lady Eve's Reel Life Posted by The Lady Eve on Jan 1, 2012

by guest contributor R.D. Finch "What's that old Oscar Wilde thing? 'Each man kills the thing he loves...' That I think is a very natural phenomenon, really." Alfred Hitchcock, in a 1963 interview In his fifty-five year long career in films, Alfred Hitchcock directed sixty-seven movies. At least a read more
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