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1965 List
Criterion Blues Posted by Aaron West on Oct 27, 2014
Oct 27 Posted by aaronwest When reviewing my list for 1965, I was struck by how few Hollywood films I included. Most of the English language films were British productions. I count five of them and only two Hollywood productions: King Rat and A Patch of Blue. My #21 would have been another American read more
1965 List
Criterion Blues Posted by Aaron West on Oct 27, 2014
Oct 27 Posted by aaronwest When reviewing my list for 1965, I was struck by how few Hollywood films I included. Most of the English language films were British productions. I count five of them and only two Hollywood productions: King Rat and A Patch of Blue. My #21 would have been another American read more
Criterion: Blithe Spirit, 1945
Criterion Blues Posted by Aaron West on Oct 26, 2014
Oct 26 Posted by aaronwest BLITHE SPIRIT, DAVID LEAN, 1945 Blithe Spirit can easily be dismissed as one of the lesser of the Lean/Coward collaborations, or the inferior of Lean’s two comedies, or the mediocre movie that Lean got out of the way before focusing on arguably his finest masterpiece, Bri read more
Criterion: Blithe Spirit, 1945
Criterion Blues Posted by Aaron West on Oct 26, 2014
Oct 26 Posted by aaronwest BLITHE SPIRIT, DAVID LEAN, 1945 Blithe Spirit can easily be dismissed as one of the lesser of the Lean/Coward collaborations, or the inferior of Lean’s two comedies, or the mediocre movie that Lean got out of the way before focusing on arguably his finest masterpiece, Bri read more
Criterion: Blithe Spirit, 1945
Criterion Blues Posted by Aaron West on Oct 26, 2014
Oct 26 Posted by aaronwest BLITHE SPIRIT, DAVID LEAN, 1945 Blithe Spirit can easily be dismissed as one of the lesser of the Lean/Coward collaborations, or the inferior of Lean’s two comedies, or the mediocre movie that Lean got out of the way before focusing on arguably his finest masterpiece, Bri read more
Criterion: Richard III, 1955
Criterion Blues Posted by Aaron West on Oct 25, 2014
Oct 25 Posted by aaronwest RICHARD III, LAURENCE OLIVIER, 1955 After tackling Henry V and Hamlet, Laurence Olivier directed and starred in his third and final Shakespeare feature, in spectacular VistaVision Technicolor. Many consider this to be his magnum opus, and as an actor, the character he is read more
Criterion: Richard III, 1955
Criterion Blues Posted by Aaron West on Oct 25, 2014
Oct 25 Posted by aaronwest RICHARD III, LAURENCE OLIVIER, 1955 After tackling Henry V and Hamlet, Laurence Olivier directed and starred in his third and final Shakespeare feature, in spectacular VistaVision Technicolor. Many consider this to be his magnum opus, and as an actor, the character he is read more
Criterion: Richard III, 1955
Criterion Blues Posted by Aaron West on Oct 25, 2014
Oct 25 Posted by aaronwest RICHARD III, LAURENCE OLIVIER, 1955 After tackling Henry V and Hamlet, Laurence Olivier directed and starred in his third and final Shakespeare feature, in spectacular VistaVision Technicolor. Many consider this to be his magnum opus, and as an actor, the character he is read more
Criterion: My Darling Clementine
Criterion Blues Posted by Aaron West on Oct 19, 2014
Oct 19 Posted by aaronwest MY DARLING CLEMENTINE, JOHN FORD, 1946 The best genre films are those that touch on deeper themes, and John Ford was an expert at using the Western as a way of examining his present. My Darling Clementine is considered by many to be among the best of his films, and I’ve read more
Criterion: My Darling Clementine
Criterion Blues Posted by Aaron West on Oct 19, 2014
Oct 19 Posted by aaronwest MY DARLING CLEMENTINE, JOHN FORD, 1946 The best genre films are those that touch on deeper themes, and John Ford was an expert at using the Western as a way of examining his present. My Darling Clementine is considered by many to be among the best of his films, and I’ve read more
Criterion: My Darling Clementine
Criterion Blues Posted by Aaron West on Oct 19, 2014
Oct 19 Posted by aaronwest MY DARLING CLEMENTINE, JOHN FORD, 1946 The best genre films are those that touch on deeper themes, and John Ford was an expert at using the Western as a way of examining his present. My Darling Clementine is considered by many to be among the best of his films, and I’ve read more
Criterion: La Promesse
Criterion Blues Posted by Aaron West on Oct 14, 2014
Oct 14 Posted by aaronwest LA PROMESSE, LUC DARDENNE AND JEAN-PIERRE DARDENNE, 1996 A friend once told me that once you’ve seen a Dardennes film, you’ve seen them all. He didn’t mean this in a flattering sense, but as an argument against their stature as modern auteurs. I’ve seen enough of read more
Criterion: La Promesse
Criterion Blues Posted by Aaron West on Oct 14, 2014
Oct 14 Posted by aaronwest LA PROMESSE, LUC DARDENNE AND JEAN-PIERRE DARDENNE, 1996 A friend once told me that once you’ve seen a Dardennes film, you’ve seen them all. He didn’t mean this in a flattering sense, but as an argument against their stature as modern auteurs. I’ve seen enough of read more
Criterion: La Promesse
Criterion Blues Posted by Aaron West on Oct 14, 2014
Oct 14 Posted by aaronwest LA PROMESSE, LUC DARDENNE AND JEAN-PIERRE DARDENNE, 1996 A friend once told me that once you’ve seen a Dardennes film, you’ve seen them all. He didn’t mean this in a flattering sense, but as an argument against their stature as modern auteurs. I’ve seen enough of read more
Criterion: Sundays and Cybele
Criterion Blues Posted by Aaron West on Oct 11, 2014
Oct 11 Posted by aaronwest SUNDAYS AND CYBELE, SERGE BOURGUIGNON, 1962 One thing I love about Criterion is they manage to balance title releases based on popularity and credibility. Rather than just sticking to top selling auteurs for every release, they’ll often pull a movie out of obscurity and read more
Criterion: Sundays and Cybele
Criterion Blues Posted by Aaron West on Oct 11, 2014
Oct 11 Posted by aaronwest SUNDAYS AND CYBELE, SERGE BOURGUIGNON, 1962 One thing I love about Criterion is they manage to balance title releases based on popularity and credibility. Rather than just sticking to top selling auteurs for every release, they’ll often pull a movie out of obscurity and read more
Criterion: Sundays and Cybele
Criterion Blues Posted by Aaron West on Oct 11, 2014
Oct 11 Posted by aaronwest SUNDAYS AND CYBELE, SERGE BOURGUIGNON, 1962 One thing I love about Criterion is they manage to balance title releases based on popularity and credibility. Rather than just sticking to top selling auteurs for every release, they’ll often pull a movie out of obscurity and read more
Criterion: Macbeth
Criterion Blues Posted by Aaron West on Oct 8, 2014
Oct 8 Posted by aaronwest MACBETH, ROMAN POLANSKI, 1971 This entry will be a little different. I won’t try to establish and discuss the major themes of this work. Scholars, far smarter, more educated, and better read than I, have been exploring Shakespeare for centuries. Plenty of ink has been pri read more
Criterion: Macbeth
Criterion Blues Posted by Aaron West on Oct 8, 2014
Oct 8 Posted by aaronwest MACBETH, ROMAN POLANSKI, 1971 This entry will be a little different. I won’t try to establish and discuss the major themes of this work. Scholars, far smarter, more educated, and better read than I, have been exploring Shakespeare for centuries. Plenty of ink has been pri read more
Criterion: Macbeth
Criterion Blues Posted by Aaron West on Oct 8, 2014
Oct 8 Posted by aaronwest MACBETH, ROMAN POLANSKI, 1971 This entry will be a little different. I won’t try to establish and discuss the major themes of this work. Scholars, far smarter, more educated, and better read than I, have been exploring Shakespeare for centuries. Plenty of ink has been pri read more