Welcome to BlogHub: the Best in Veteran and Emerging Classic Movie Blogs
You can rate and share your favorite classic movie posts here.
You can rate and share your favorite classic movie posts here.
Criterion: Parade, Jacques Tati, 1974
Criterion Blues Posted by Aaron West on Dec 13, 2014
Dec 13 Posted by aaronwest I wrapped up my discussion of Trafic by quoting Tati from an interview about why he made so few films. His answer was that he did not want to make something that failed to meet his standards. His quote was that, “in life, you only have so many ideas.” Parade is most certa read more
Criterion: Parade, Jacques Tati, 1974
Criterion Blues Posted by Aaron West on Dec 13, 2014
Dec 13 Posted by aaronwest I wrapped up my discussion of Trafic by quoting Tati from an interview about why he made so few films. His answer was that he did not want to make something that failed to meet his standards. His quote was that, “in life, you only have so many ideas.” Parade is most certa read more
Criterion: Parade, Jacques Tati, 1974
Criterion Blues Posted by Aaron West on Dec 13, 2014
Dec 13 Posted by aaronwest I wrapped up my discussion of Trafic by quoting Tati from an interview about why he made so few films. His answer was that he did not want to make something that failed to meet his standards. His quote was that, “in life, you only have so many ideas.” Parade is most certa read more
Criterion: Trafic, Jacques Tati, 1971
Criterion Blues Posted by Aaron West on Dec 12, 2014
Dec 12 Posted by aaronwest As workers and mechanics are preparing to send their model car off to Amsterdam for a car show, we hear them whistle a number of familiar tunes. We hear snippets from Monsieur Hulot’s Holiday, Mon Oncle, and probably various others if you listen carefully. The trace of read more
Criterion: Trafic, Jacques Tati, 1971
Criterion Blues Posted by Aaron West on Dec 12, 2014
Dec 12 Posted by aaronwest As workers and mechanics are preparing to send their model car off to Amsterdam for a car show, we hear them whistle a number of familiar tunes. We hear snippets from Monsieur Hulot’s Holiday, Mon Oncle, and probably various others if you listen carefully. The trace of read more
Criterion: Trafic, Jacques Tati, 1971
Criterion Blues Posted by Aaron West on Dec 12, 2014
Dec 12 Posted by aaronwest As workers and mechanics are preparing to send their model car off to Amsterdam for a car show, we hear them whistle a number of familiar tunes. We hear snippets from Monsieur Hulot’s Holiday, Mon Oncle, and probably various others if you listen carefully. The trace of read more
Criterion: It Happened One Night, Frank Capra, 1934
Criterion Blues Posted by Aaron West on Dec 8, 2014
Dec 8 Posted by aaronwest In the interest of full disclosure, I’ll come clean that I’m not a Capra fanatic. That’s not to say that I don’t have tremendous respectful for him as a talented and influential filmmaker, and I like most of his films, even if I do not love them. My first exposure read more
Criterion: It Happened One Night, Frank Capra, 1934
Criterion Blues Posted by Aaron West on Dec 8, 2014
Dec 8 Posted by aaronwest In the interest of full disclosure, I’ll come clean that I’m not a Capra fanatic. That’s not to say that I don’t have tremendous respectful for him as a talented and influential filmmaker, and I like most of his films, even if I do not love them. My first exposure read more
Criterion: It Happened One Night, Frank Capra, 1934
Criterion Blues Posted by Aaron West on Dec 8, 2014
Dec 8 Posted by aaronwest In the interest of full disclosure, I’ll come clean that I’m not a Capra fanatic. That’s not to say that I don’t have tremendous respectful for him as a talented and influential filmmaker, and I like most of his films, even if I do not love them. My first exposure read more
Criterion: Playtime, Jacques Tati, 1967
Criterion Blues Posted by Aaron West on Dec 6, 2014
Dec 6 Posted by aaronwest One of the recurrent statements found in the PlayTime supplements is that you have to see it more than once to truly appreciate. Due to the continual long shots, the wide frame, and the crowded amount of characters, there are many gags or comic touches in the background th read more
Criterion: Playtime, Jacques Tati, 1967
Criterion Blues Posted by Aaron West on Dec 6, 2014
Dec 6 Posted by aaronwest One of the recurrent statements found in the PlayTime supplements is that you have to see it more than once to truly appreciate. Due to the continual long shots, the wide frame, and the crowded amount of characters, there are many gags or comic touches in the background th read more
Criterion: Playtime, Jacques Tati, 1967
Criterion Blues Posted by Aaron West on Dec 6, 2014
Dec 6 Posted by aaronwest One of the recurrent statements found in the PlayTime supplements is that you have to see it more than once to truly appreciate. Due to the continual long shots, the wide frame, and the crowded amount of characters, there are many gags or comic touches in the background th read more
Criterion: Ride in the Whirlwind, Monte Hellman, 1966
Criterion Blues Posted by Aaron West on Dec 5, 2014
Dec 5 Posted by aaronwest While Ride in the Whirlwind sbould be compared with the film that preceded it, The Shooting, it is not a carbon copy. It shares many elements in common with the companion film. The most obvious is the cast members of Jack Nicholson and Millie Perkins, but there were also m read more
Criterion: Ride in the Whirlwind, Monte Hellman, 1966
Criterion Blues Posted by Aaron West on Dec 5, 2014
Dec 5 Posted by aaronwest While Ride in the Whirlwind sbould be compared with the film that preceded it, The Shooting, it is not a carbon copy. It shares many elements in common with the companion film. The most obvious is the cast members of Jack Nicholson and Millie Perkins, but there were also m read more
Criterion: Ride in the Whirlwind, Monte Hellman, 1966
Criterion Blues Posted by Aaron West on Dec 5, 2014
Dec 5 Posted by aaronwest While Ride in the Whirlwind sbould be compared with the film that preceded it, The Shooting, it is not a carbon copy. It shares many elements in common with the companion film. The most obvious is the cast members of Jack Nicholson and Millie Perkins, but there were also m read more
1945 List
Criterion Blues Posted by Aaron West on Dec 4, 2014
Dec 4 Posted by aaronwest I consider 1945 a mediocre year with some strong high points. Most films released were created during the war, including Children of Paradise, filmed in the south of France under the occupation. Many of the production were in exiled, but most knew of the inevitable outcome read more
1945 List
Criterion Blues Posted by Aaron West on Dec 4, 2014
Dec 4 Posted by aaronwest I consider 1945 a mediocre year with some strong high points. Most films released were created during the war, including Children of Paradise, filmed in the south of France under the occupation. Many of the production were in exiled, but most knew of the inevitable outcome read more
1945 List
Criterion Blues Posted by Aaron West on Dec 4, 2014
Dec 4 Posted by aaronwest I consider 1945 a mediocre year with some strong high points. Most films released were created during the war, including Children of Paradise, filmed in the south of France under the occupation. Many of the production were in exiled, but most knew of the inevitable outcome read more
Criterion: The Shooting, Monte Hellman, 1966
Criterion Blues Posted by Aaron West on Nov 30, 2014
Nov 30 Posted by aaronwest The Shooting and Ride In the Whirlwind were companion, low budget westerns pieces, shot together over a 7-week schedule (3 weeks for each with a week off in between). At the time they were overlooked, but have become cult classics and influenced many of the ‘Acid Westerns read more
Criterion: The Shooting, Monte Hellman, 1966
Criterion Blues Posted by Aaron West on Nov 30, 2014
Nov 30 Posted by aaronwest The Shooting and Ride In the Whirlwind were companion, low budget westerns pieces, shot together over a 7-week schedule (3 weeks for each with a week off in between). At the time they were overlooked, but have become cult classics and influenced many of the ‘Acid Westerns read more