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Top 20 of 2013
Criterion Blues Posted by Aaron West on Jul 16, 2015
Jul 16 Posted by aaronwest I’m always reluctant to post lists for recent years. Even though I consider myself a general film fan, I am mostly a classic film fan. Good films age better with time. Flawed films do not. My top 20 list for 2005, for example, is a lot different today than it would read more
Top 20 of 2013
Criterion Blues Posted by Aaron West on Jul 16, 2015
Jul 16 Posted by aaronwest I’m always reluctant to post lists for recent years. Even though I consider myself a general film fan, I am mostly a classic film fan. Good films age better with time. Flawed films do not. My top 20 list for 2005, for example, is a lot different today than it would read more
Black Narcissus, 1947, Powell & Pressburger
Criterion Blues Posted by Aaron West on Jul 13, 2015
Jul 13 Posted by aaronwest This post is part of the 1947 Blogathon hosted by Shadows & Satin and Speakeasy. I was at dinner with friends a few months ago, one of whom happens to be a huge Powell & Pressburger fan. We were sharing thoughts on their 1940s output, pretty much raving about fil read more
Black Narcissus, 1947, Powell & Pressburger
Criterion Blues Posted by Aaron West on Jul 13, 2015
Jul 13 Posted by aaronwest This post is part of the 1947 Blogathon hosted by Shadows & Satin and Speakeasy. I was at dinner with friends a few months ago, one of whom happens to be a huge Powell & Pressburger fan. We were sharing thoughts on their 1940s output, pretty much raving about fil read more
Black Narcissus, 1947, Powell & Pressburger
Criterion Blues Posted by Aaron West on Jul 13, 2015
Jul 13 Posted by aaronwest This post is part of the 1947 Blogathon hosted by Shadows & Satin and Speakeasy. I was at dinner with friends a few months ago, one of whom happens to be a huge Powell & Pressburger fan. We were sharing thoughts on their 1940s output, pretty much raving about fil read more
Secret Sunshine, 2007, Chang-dong Lee
Criterion Blues Posted by Aaron West on Jul 11, 2015
Jul 11 Posted by aaronwest Secret Sunshine begins as an ordinary character piece, with a widowed mother planting roots in her husband’s hometown as a way to begin fresh. We can tell early on that the bonds between the mother and her son are tight. In the opening scene, when they have a car breakdow read more
Secret Sunshine, 2007, Chang-dong Lee
Criterion Blues Posted by Aaron West on Jul 11, 2015
Jul 11 Posted by aaronwest Secret Sunshine begins as an ordinary character piece, with a widowed mother planting roots in her husband’s hometown as a way to begin fresh. We can tell early on that the bonds between the mother and her son are tight. In the opening scene, when they have a car breakdow read more
Secret Sunshine, 2007, Chang-dong Lee
Criterion Blues Posted by Aaron West on Jul 11, 2015
Jul 11 Posted by aaronwest Secret Sunshine begins as an ordinary character piece, with a widowed mother planting roots in her husband’s hometown as a way to begin fresh. We can tell early on that the bonds between the mother and her son are tight. In the opening scene, when they have a car breakdow read more
The Merchant of Four Seasons, 1971, Rainer Werner Fassbinder
Criterion Blues Posted by Aaron West on Jul 8, 2015
Jul 8 Posted by aaronwest If you can say one thing about Fassbinder’s films, you can say that he was adept at portraying and processing human feelings. These were usually negative human feelings. For example in The Bitter Tears of Petra Von Kant, he explored vanity and loneliness, whereas in Ali: read more
The Merchant of Four Seasons, 1971, Rainer Werner Fassbinder
Criterion Blues Posted by Aaron West on Jul 8, 2015
Jul 8 Posted by aaronwest If you can say one thing about Fassbinder’s films, you can say that he was adept at portraying and processing human feelings. These were usually negative human feelings. For example in The Bitter Tears of Petra Von Kant, he explored vanity and loneliness, whereas in Ali: read more
The Merchant of Four Seasons, 1971, Rainer Werner Fassbinder
Criterion Blues Posted by Aaron West on Jul 8, 2015
Jul 8 Posted by aaronwest If you can say one thing about Fassbinder’s films, you can say that he was adept at portraying and processing human feelings. These were usually negative human feelings. For example in The Bitter Tears of Petra Von Kant, he explored vanity and loneliness, whereas in Ali: read more
The Great Beauty, 2013, Paolo Sorrentino
Criterion Blues Posted by Aaron West on Jul 5, 2015
Jul 5 Posted by aaronwest Believe it or not, this was my third time giving The Great Beauty a chance. The first two times I hated it. In fairness, both of my previous two attempts were not during the ideal circumstances. The first time was on Video on Demand before the home release. I didn’t realiz read more
The Great Beauty, 2013, Paolo Sorrentino
Criterion Blues Posted by Aaron West on Jul 5, 2015
Jul 5 Posted by aaronwest Believe it or not, this was my third time giving The Great Beauty a chance. The first two times I hated it. In fairness, both of my previous two attempts were not during the ideal circumstances. The first time was on Video on Demand before the home release. I didn’t realiz read more
The Great Beauty, 2013, Paolo Sorrentino
Criterion Blues Posted by Aaron West on Jul 5, 2015
Jul 5 Posted by aaronwest Believe it or not, this was my third time giving The Great Beauty a chance. The first two times I hated it. In fairness, both of my previous two attempts were not during the ideal circumstances. The first time was on Video on Demand before the home release. I didn’t realiz read more
Cries and Whispers, 1972, Ingmar Bergman
Criterion Blues Posted by Aaron West on Jul 3, 2015
Jul 3 Posted by aaronwest By 1972, Bergman was already established as one of the titans of international art cinema. He had won several awards at Cannes and been nominated for two Academy Awards (he would eventually be nominated for 9, including three for this film). Cries and Whispers is not a fil read more
Cries and Whispers, 1972, Ingmar Bergman
Criterion Blues Posted by Aaron West on Jul 3, 2015
Jul 3 Posted by aaronwest By 1972, Bergman was already established as one of the titans of international art cinema. He had won several awards at Cannes and been nominated for two Academy Awards (he would eventually be nominated for 9, including three for this film). Cries and Whispers is not a fil read more
Cries and Whispers, 1972, Ingmar Bergman
Criterion Blues Posted by Aaron West on Jul 3, 2015
Jul 3 Posted by aaronwest By 1972, Bergman was already established as one of the titans of international art cinema. He had won several awards at Cannes and been nominated for two Academy Awards (he would eventually be nominated for 9, including three for this film). Cries and Whispers is not a fil read more
My Journey to British Blu-Ray
Criterion Blues Posted by Aaron West on Jun 29, 2015
Jun 29 Posted by aaronwest Even though I love my Criterions, I have looked longingly quite often across the pond. The one limitation with US releases is that Criterion is basically the go-to label for prestigious classic films. Sure, others have their moment in the sun, but it isn’t much of a compar read more
My Journey to British Blu-Ray
Criterion Blues Posted by Aaron West on Jun 29, 2015
Jun 29 Posted by aaronwest Even though I love my Criterions, I have looked longingly quite often across the pond. The one limitation with US releases is that Criterion is basically the go-to label for prestigious classic films. Sure, others have their moment in the sun, but it isn’t much of a compar read more
My Journey to British Blu-Ray
Criterion Blues Posted by Aaron West on Jun 29, 2015
Jun 29 Posted by aaronwest Even though I love my Criterions, I have looked longingly quite often across the pond. The one limitation with US releases is that Criterion is basically the go-to label for prestigious classic films. Sure, others have their moment in the sun, but it isn’t much of a compar read more