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One of the most popular features at the Cafe is our "A to Z" list. This month, we tackle film noir--a daunting task because there so many good ones. For example, for "D", we could have gone with any of the following:  The Dark Corner, Dark City, Detour, Desperate Hours, or Drive a Crooked Road. read more

Following a number of commercial and artistic successes in the 1950s and early 1960s, Alfred Hitchcock's career took a plunge after The Birds (1963). Starting with Marnie (1964), Hitchcock often found himself out of favor with the movie-going public and the critics. An exception was 1 read more

Over the last decade, Internet film sites have displaced reference books as the primary source of classic film information. While I appreciate having access to an expansive virtual library, I always approach its content with some caution. Popular sources, such as the Internet Movie Data Base and Wik read more

Change of seasons creating havoc with your allergies? Sprained an ankle from stepping in a rabbit hole while mowing (been there, done that)? Job stress causing migraines? You need to see a doctor! To assist you in selecting the proper physician, we pick our classic TV favorites from the 1960s thro read more

Alfred Hitchcock saw the original London stage production of Mary Rose in 1920--and would be infatuated with it for years. Written by J.M. Barrie (best known for penning Peter Pan), Mary Rose opens with a soldier arriving at a desolate, decaying house where he enc read more

Shatner and McQueen. A courtroom drama in which the verdict doesn't matter? That's the case with "The Defender," a 1957 two-part television play by Reginald Rose that was originally broadcast on Studio One. Ralph Bellamy and William Shatner play father-and-son attorneys who are appointed to defend read more

One of the most distinctive private eyes of the 1970s has finally made his DVD debut with Warner Archive's release of season 1 of Harry O. The series, which originally aired on ABC in 1974-76, starred David Janssen as Harry Orwell, a medically-retired police detective who moonlights as a private inv read more

Henry Fonda calling his agent after appearing in Tentacles. Kirk Douglas did it. Ditto for Walter Pidgeon. Even John Wayne and Ray Milland got into the act. Yes, we're talking about fighting giant octopuses and squids. So, there's nothing unusual about Henry Fonda, Shelley Winters, and John Huston read more

Frogs. They can be irritating if you're trying to fall asleep on a summer night with the windows open. They can be yucky, too, if you have an aversion to wet, slippery creatures. But scary? I'd be hard-pressed to anoint them with that adjective. So, it's surprising when American read more

Yes, I know, the "Five Best" lists were supposed to end in August, but that was before I saw a James Garner movie last weekend. Surprisingly, I wasn't always a James Garner fan. It took me awhile to appreciate his unique blend of easygoing charm, toughness, comic timing, and--when required--subtlety read more

The following review contains plot spoilers. John Garfield learns his destiny. Long ago, when I could still be surprised by a classic film, I discovered Between Two Worlds on a local TV station. It quickly entranced me with its tale of a mysterious ocean liner drifting through m read more

Here are some interesting tidbits about Katharine Ross's title quote. She made it during the production of Hellfighters (1968), which is not the kind of publicity favored by movie studios. She had only made a handful of films at that time, though one of them was The Graduate (1967)--s read more

Classic television and memorable cars have a long history together. Who can forget My Mother the Car, in which Jerry Van Dyke's mom was reincarnated as--yes--a car (a 1928 Porter voiced by Ann Sothern)? Police cars earned title credits in Car 54, Where Are You? and Adam-12. Even cartoons got in read more

When it was first released, Damon and Pythias (1962) was no doubt lost among the dozens of Italian sword-and-sandal films produced in the 1960s. Except for its setting--Greece and Sicily in 400 B.C.--it has little in common with those pictures. There are no muscular heroes, no mythical cre read more

Andrew Buchan as William Garrow. Are you a fan of British courtroom shows like Rumpole of the Bailey? How about historical dramas along the lines of Poldark? If you answered yes to both questions, then you may want to check out Garrow's Law, a 2009-12 BBC series that smartly combines both read more

Hitchcock has appeared briefly in each of his films since 1926's The Lodger, in which his appearance was simply to "fill the screen." Often, he can be glimpsed as a passer-by, usually showing up near the beginning of a film (so viewers don't get distracted looking for him). It was tough to single ju read more

The "Golden Era of Movie Gimmicks" was in the late 1950s and 1960s when producer William Castle came up with some very innovative ways to lure audiences to his low-budget thrillers and horror films. Although Castle remains the undisputed King of Gimmicks, there were memorable ones before and after h read more

In terms of longevity, Alfred Hitchcock Presents was the most successful American television anthology series. It ran from 1955 to 1962 in a half-hour format and then from 1962 to 1965 as The Alfred Hitchcock Hour. The list below includes only the 268 half-hour episodes. Barbara Bel Geddes l read more

Leslie Stevens and Joseph Stefano (who wrote the screenplay for Psycho) were the creative talents behind the best sci fi anthology of the 1960s (maybe of all time). The concept was that each show would stay within the confines of the science fiction genre and feature a “bear”— read more

Trying to sift through all 156 episodes of The Twilight Zone and pick just the five best episodes is rather daunting. Plus, it opens one up to mass criticism because TZ fans are passionate about their favorite episodes. But this is the start of our annual "Five Best" month at the read more