By Movie StarAlfred HitchcockAudrey HepburnAva GardnerBarbara StanwyckBasil RathboneBette DavisBilly WilderBob HopeBoris KarloffBurt LancasterBuster KeatonCarole LombardCary GrantCharlie ChaplinClara BowClark GableClaudette ColbertDana AndrewsDeanna DurbinDebbie ReynoldsDoris DayElizabeth TaylorErnst LubitschErrol FlynnEsther WilliamsFranchot ToneFred AstaireFred MacMurrayGary CooperGene KellyGinger RogersGloria SwansonGrace KellyGreer GarsonGregory PeckGreta GarboHarold LloydHedy LamarrHenry FondaHoward HawksHumphrey BogartIda LupinoIngrid BergmanIrene DunneJack BennyJack LemmonJames CagneyJames StewartJane RussellJean ArthurJean HarlowJeanette MacDonaldJeanne CrainJoan CrawfordJoan FontaineJohn FordJohn HustonJohn WayneJudy GarlandKatharine HepburnKay FrancisKirk DouglasLana TurnerLauren BacallLillian GishLon ChaneyLoretta YoungLouise BrooksLucille BallMae WestMarilyn MonroeMarion DaviesMarlene DietrichMary AstorMary PickfordMickey RooneyMiriam HopkinsMyrna LoyNatalie WoodNorma ShearerOlivia de HavillandOrson WellesPaul NewmanPreston SturgesRichard WidmarkRita HayworthRobert MitchumRudolph ValentinoShirley TempleSidney PoitierSpencer TracySteve McQueenTeresa WrightTyrone PowerVincent PriceVivien LeighWilliam HoldenWilliam PowellWilliam WylerWoody Allen By HolidayNew Year's DayPresident's DayValentine's DayEasterMother's DayFather's DayMemorial DayJuly 4thLabor DayColumbus DayHalloweenThanksgivingChristmasBlack History MonthWomen's History Month All Blogs4 Star Films (3457)50 Most Influential Disney Animators (58)A Person in the Dark (363)All Good Things (815)Backlots (412)Caf? Muscato (572)Caftan Woman (904)Carole & Co. (3081)Cary Grant Won't Eat You (482)Christy Putnam (77)Cinema Crossroads (42)Cinematic Catharsis (869)Cinematically Insane (268)CineMaven's Essays from the Couch (152)Classic Cinema Gold (319)Classic Film & TV Cafe (1248)Classic Film Freak (367)Classic Film Review (14)Classic Horror Campaign (257)Classic Movie Hub Blog (1859)Classic Movie Man (904)Classic Movies (3247)Classic Reel Girl (95)Comet Over Hollywood (1261)Creme de la Creme (31)Criterion Blues (770)Critica Retro (1414)Curtains (58)Durnmoose Movie Musings (1105)Film Reviews and Anything Else I Get Inspired by (5)Finding Franchot: Exploring the Life and Career of Franchot Tone (161)Flickers in Time (2221)GlamAmor (586)Hitchcock Master (130)Hollywood Revue (532)Hometowns to Hollywood (755)How Sweet It Was (86)In The Good Old Days Of Classic Hollywood (154)Journeys in Classic Film (1765)Lady Eve's Reel Life (733)Le Mot du Cinephiliaque (945)Love Letters to Old Hollywood (150)MacGuffin Movies (362)Margaret Perry (165)Mildred's Fatburgers (201)Movie Classics (287)Movies Silently (1029)Noir and Chick Flicks (1998)Noirish (1273)Old Hollywood Films (651)Once Upon a Screen (420)Out of the Past - A Classic Film Blog (2144)Outspoken and Freckled (140)Phantom Empires (60)Please Go Away: A Katharine Hepburn Blog (456)Pop Culture ImagineMDD (103)Pretty Clever Films (1413)Reel Distracted (20)ScribeHard on Film (162)Serendipitous Anachronisms (82)Shadows and Satin (878)Silver Scenes - A Blog for Classic Film Lovers (1831)Smitten Kitten Vintage (48)Smum County (115)Stardust and Shadows (120)Studies in Cinema (118)Sunset Blvd (39)The Baz (158)The Best Picture Project (905)The Blonde At The Film (319)The Bogie Film Blog (147)The Cinema Dilettante (110)The Giddy Blog (152)The Great Katharine Hepburn (240)The Hitless Wonder Movie Blog (1617)The Jeanette MacDonald Blog (94)The Man on the Flying Trapeze (643)The Motion Pictures (791)The Movie Rat (746)The Old Hollywood Garden (436)The Stop Button (3203)The Timothy Carey Experience (1181)The Vintage Cameo (134)The Wonderful World of Cinema (575)Timeless Hollywood (73)True Classics (573)Virtual Virago (1617)Where Danger Lives (136)Wolffianclassicmoviesdigest (631)

From my earliest memories I have lived with the knowledge and particular thrill associated with it, that I love tunnels; the sound of vehicles traveling through a concrete tube, which passes under the massive bulk of a mountain or the crushing weight of water, still has the power to accelerate my h read more

Cincinnati Enquirer, Cincinnati, Ohio, May 18, 1913   The scenario for, The Vampire of the Desert, was adapted from, The Vampire (penned in 1897), a poem by Rudyard Kipling.     Kipling’s poem was in turn, stirred to life by the work of his cousin (Kipling’s aunt’s son) Phillip read more

Cincinnati Enquirer, Cincinnati, Ohio, May 18, 1913   The scenario for, The Vampire of the Desert, was adapted from, The Vampire (penned in 1897), a poem by Rudyard Kipling.     Kipling’s poem was in turn, stirred to life by the work of his cousin (Kipling’s aunt’s son) Phillip read more

Cincinnati Enquirer, Cincinnati, Ohio, May 18, 1913   The scenario for, The Vampire of the Desert, was adapted from, The Vampire (penned in 1897), a poem by Rudyard Kipling.     Kipling’s poem was in turn, stirred to life by the work of his cousin (Kipling’s aunt’s son) Phillip read more

At the Tone it Will Be Johnny O’Clock: Johnny O’Clock is a story that at the beginning has only two characters who have any integrity or could be considered to be on the side of good. These two are both women, sisters in fact, Nancy Hobson, the older sister of the first murder victim of the story, read more

At the Tone it Will Be Johnny O’Clock: Johnny O’Clock is a story that at the beginning has only two characters who have any integrity or could be considered to be on the side of good. These two are both women, sisters in fact, Nancy Hobson, the older sister of the first murder victim of the story, read more

At the Tone it Will Be Johnny O’Clock: Johnny O’Clock is a story that at the beginning has only two characters who have any integrity or could be considered to be on the side of good. These two are both women, sisters in fact, Nancy Hobson, the older sister of the first murder victim of the story, read more

  Mother’s Boy strangely enough, received its copyright from the Library of Congress on May 19, 1929, and was listed as an eight reel (82 minutes) film with the Copyright Office. Not to leave my ‘strangely’ remark unexplained, I find it odd since Mother’s Boy had its world-premiere on read more

  Mother’s Boy strangely enough, received its copyright from the Library of Congress on May 19, 1929, and was listed as an eight reel (82 minutes) film with the Copyright Office. Not to leave my ‘strangely’ remark unexplained, I find it odd since Mother’s Boy had its world-premiere on read more

  Mother’s Boy strangely enough, received its copyright from the Library of Congress on May 19, 1929, and was listed as an eight reel (82 minutes) film with the Copyright Office. Not to leave my ‘strangely’ remark unexplained, I find it odd since Mother’s Boy had its world-premiere on read more

  Tracked by the Police was directed by Ray Enright (so many Westerns), and Edward Sowders (several films with Erich von Stroheim) was the assistant director. Tracked was written by Gregory Rogers (AKA Darryl F. Zanuck), with the screenplay by Johnnie Grey (tons of short-subjects and a load o read more

  Tracked by the Police was directed by Ray Enright (so many Westerns), and Edward Sowders (several films with Erich von Stroheim) was the assistant director. Tracked was written by Gregory Rogers (AKA Darryl F. Zanuck), with the screenplay by Johnnie Grey (tons of short-subjects and a load o read more

  Tracked by the Police was directed by Ray Enright (so many Westerns), and Edward Sowders (several films with Erich von Stroheim) was the assistant director. Tracked was written by Gregory Rogers (AKA Darryl F. Zanuck), with the screenplay by Johnnie Grey (tons of short-subjects and a load o read more

  Picture perfect in practically every way is the Film-Noir masterpiece, The Postman Always Rings Twice, with stellar performances by John Garfield and Lana Turner, with undeniable precision-point support by Hume Cronyn, Cecil Kellaway and  Leon Ames; directed by Tay Garnett (in my opinion read more

  Picture perfect in practically every way is the Film-Noir masterpiece, The Postman Always Rings Twice, with stellar performances by John Garfield and Lana Turner, with undeniable precision-point support by Hume Cronyn, Cecil Kellaway and  Leon Ames; directed by Tay Garnett (in my opinion read more

  Picture perfect in practically every way is the Film-Noir masterpiece, The Postman Always Rings Twice, with stellar performances by John Garfield and Lana Turner, with undeniable precision-point support by Hume Cronyn, Cecil Kellaway and  Leon Ames; directed by Tay Garnett (in my opinion read more

Eyes of the Underworld began production on May 1, 1928 at Universal Studios, under the direction of Leigh Jason; filming was completed by the middle of August of ‘28.[1] One month later, Eyes, was assigned the opening date of April 28, 1929, by Universal; this date remained the same in all Hollywoo read more

Eyes of the Underworld began production on May 1, 1928 at Universal Studios, under the direction of Leigh Jason; filming was completed by the middle of August of ‘28.[1] One month later, Eyes, was assigned the opening date of April 28, 1929, by Universal; this date remained the same in all Hollywoo read more

Eyes of the Underworld began production on May 1, 1928 at Universal Studios, under the direction of Leigh Jason; filming was completed by the middle of August of ‘28.[1] One month later, Eyes, was assigned the opening date of April 28, 1929, by Universal; this date remained the same in all Hollywoo read more

  Mirage Menagerie of thoughts: Mirage, 1965, a Universal release is often likened to a Hitchcock film. For better or worse, with regards to audience expectations, Mirage, clearly works and has much of the Hitchcockian atmosphere to it; especially, with reference to Spellbound and North by Nor read more