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Paul Robeson had a big voice, was an actor of ‘Bigger than Life’ roles, a performer of unique intensity, with a passion that easily communicated to the movie-goer, the emotions and the ranges of Robeson’s emotions, thereby gifting the viewer with an experience that few actors, bef read more

  Cabin in the Sky was directed by Vincente Minnelli, with one scene staged by Busby Berkeley (the “Shine” sequence), Sidney Wagner was the cinematographer, screenplay by Joseph Schrank based on the book of the play written by Lynn Root. Cabin starred Ethel Waters, Eddie ‘Ro read more

Paul Robeson had a big voice, was an actor of ‘Bigger than Life’ roles, a performer of unique intensity, with a passion that easily communicated to the movie-goer, the emotions and the ranges of Robeson’s emotions, thereby gifting the viewer with an experience that few actors, bef read more

Paul Robeson had a big voice, was an actor of ‘Bigger than Life’ roles, a performer of unique intensity, with a passion that easily communicated to the movie-goer, the emotions and the ranges of Robeson’s emotions, thereby gifting the viewer with an experience that few actors, bef read more

  Cabin in the Sky was directed by Vincente Minnelli, with one scene staged by Busby Berkeley (the “Shine” sequence), Sidney Wagner was the cinematographer, screenplay by Joseph Schrank based on the book of the play written by Lynn Root. Cabin starred Ethel Waters, Eddie ‘Ro read more

Noel Monkman With the following list I have been as thorough as possible with the resources available to me. I have included as much description as found. Primarily, I used three sources for this list: the British Film Institute, the National Library of Australia and the National Film and Sound Arch read more

Noel Monkman With the following list I have been as thorough as possible with the resources available to me. I have included as much description as found. Primarily, I used three sources for this list: the British Film Institute, the National Library of Australia and the National Film and Sound Arch read more

With the following list I have been as thorough as possible with the resources available to me. I have included as much description as found. Primarily, I used three sources for this list: the British Film Institute, the National Library of Australia and the National Film and Sound Archive of Austra read more

  The Sydney Morning Herald, Thursday, April 3, 1941   At the Mayfair Theatre in Sydney, Australia, on Friday, April 4, 1941, The Power and the Glory opened with all the pomp and circumstance due a favorite son, from the Land Down Under. Power and Glory was made with a financial guarantee read more

  The Sydney Morning Herald, Thursday, April 3, 1941   At the Mayfair Theatre in Sydney, Australia, on Friday, April 4, 1941, The Power and the Glory opened with all the pomp and circumstance due a favorite son, from the Land Down Under. Power and Glory was made with a financial guarantee read more

  The Sydney Morning Herald, Thursday, April 3, 1941   At the Mayfair Theatre in Sydney, Australia, on Friday, April 4, 1941, The Power and the Glory opened with all the pomp and circumstance due a favorite son, from the Land Down Under. Power and Glory was made with a financial guarantee read more

  As with most of our current information on opening dates and world premieres, The Set-Up, was seen a few days prior to the anointed date of, April 2, that has been listed for a few decades. The bell rang for, The Set-Up, on Tuesday, March 29, 1949. Then the real-time story-line fight film op read more

  As with most of our current information on opening dates and world premieres, The Set-Up, was seen a few days prior to the anointed date of, April 2, that has been listed for a few decades. The bell rang for, The Set-Up, on Tuesday, March 29, 1949. Then the real-time story-line fight film op read more

Director Robert Wise was in for the full 10-count of victory for The Set-Up (his tenth film as director), following up on the promise of his earlier works such as The Magnificent Ambersons,  (additional sequences, uncredited) 1942, The Curse of the Cat People, 1944, The Body Snatcher, 1945 and Crim read more

  “I am the Whistler, and I know many things, for I walk by night;” a wonderful beginning to an eerie Film-Noir experience, starring Richard Dix and the taunting tones of Otto Forrest as The Whistler. The Whistler was directed by William Castle who worked with Orson Welles in radio and as read more

  “I am the Whistler, and I know many things, for I walk by night;” a wonderful beginning to an eerie Film-Noir experience, starring Richard Dix and the taunting tones of Otto Forrest as The Whistler. The Whistler was directed by William Castle who worked with Orson Welles in radio and as read more

  “I am the Whistler, and I know many things, for I walk by night;” a wonderful beginning to an eerie Film-Noir experience, starring Richard Dix and the taunting tones of Otto Forrest as The Whistler. The Whistler was directed by William Castle who worked with Orson Welles in radio and as read more

    John Howard (Howard was Bulldog between John Lodge and Ron Randell, earlier, Bulldog had been portrayed by Ronald Coleman and Ray Milland; afterward by Tom Conway and Walter Pidgeon) headed the cast of  this Drummond escapade as Capt. Hugh C. ‘Bulldog’ Drummond, supported read more

    John Howard (Howard was Bulldog between John Lodge and Ron Randell, earlier, Bulldog had been portrayed by Ronald Coleman and Ray Milland; afterward by Tom Conway and Walter Pidgeon) headed the cast of  this Drummond escapade as Capt. Hugh C. ‘Bulldog’ Drummond, supported read more

    John Howard (Howard was Bulldog between John Lodge and Ron Randell, earlier, Bulldog had been portrayed by Ronald Coleman and Ray Milland; afterward by Tom Conway and Walter Pidgeon) headed the cast of  this Drummond escapade as Capt. Hugh C. ‘Bulldog’ Drummond, supported read more