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Joan Fontaine and Orson Welles star in “Jane Eyre”: The Ultimate Gothic Romance Jane Eyre (1943) is a gothic romance directed by Robert Stevenson and starring Orson Welles and Joan Fontaine. Based on the classic novel by Charlotte Bronte, the screenplay was written by John Hous read more

 This is my entry in The Biopic Blogathon, hosted by Hometowns to Hollywood.  Click here for more favorite biopics. They’re all true, right?My heart explodes with love for this film. It has everything that enchants me about the movies. It may never make the list of the greatest films read more

Middle of The Night proves instantly placeable thanks to its black-and-white, New York streets aesthetic. Although the name Paddy Chayefsky, emblazoned over the credits, gives us as much of an inclination of the story we are about to experience. Because to this day, his name carries with it a hallo read more

In a time where virtually the whole human race is feeling the absence of loved ones, the charming A Little Romance (1979) has become a more bittersweet film. When I recently watched the movie on a new Blu-ray from Warner Archive, I appreciated it as a timeless tribute to many aspects of love and a t read more

Carole Lombard had built a reputation for unpredictability over the years. So in the fall of 1940, it shouldn't have beenthat much of a surprise that after four consecutive dramatic films, she'd return to comedy -- her most popular genre -- by calling on the master of suspense to direct her.Alfred H read more

Despite the pure 80s-ness of the synths, I cannot help but be charmed by Carol King’s vocals in the opening track to go along with an entire score she composed for this film. It introduces an understated tale of a young divorced mother (Sally Field) and her son (Corey Haim) who are setting up read more

DOUBLE BILL #17: Thrill of a Romance (1945) and Million Dollar Mermaid (1952) On August 12, 2018August 12, 2018 By CarolIn Uncategorized Summer’s here, so I thought I’d go for a summer-themed Double Bill this month. And yeah, there’s read more

Romance em Alto Mar / Romance on the High Seas (1948) 70 anos atrás, uma jovem encantadora cuja vida seria marcada por tragédias apareceu pela primeira vez nas telas do cinema. Ela havia sonhado em ser uma dançarina, mas um acidente grave interrompeu seu sonho. Durante a recuperação, ela read more

Outside of being an amazing opportunity to gather with like-minded folks and watch movies, the TCM Classic Film Festival is the place to hear bizarre stories about movies caught in legal limbo. (I’m fairly certain this festival is the only time where a legal affairs officer can enthrall an aud read more

In 1948, Doris Day wasn't yet a star. At age 23, she had found success with the Les Brown Band thanks to her hit recording of "Sentimental Journey" and she became a regular on Bob Hope's radio show. Oddly enough, though, her career was also coming to a stall. She had divorced her violent first husba read more

Share This! “My friends have overlooked my shortcomings, seen me through some dark days and brightened up the rest of them.  I’m glad to have them.  I’m honored to have them.  I’m lucky to have them.” — Murphy Brown (Garner) The most important reason to see Murphy’s Romance is for read more

You wouldn’t expect me to devote a week to Van Johnson and avoid reviewing his work with Esther Williams, would you? Actually, he and Williams teamed up so frequently I could have devoted this week to their films alone, but in the interest of fairness I went with one. The second of six films read more

The best thing about True Romance is some of the acting. The biggest problem with the film is who’s doing that great acting. It’s not leads Christian Slater and Patricia Arquette, who the film eventually just ignores in order to further its supporting cast (which is sort of fine, as the read more

The best thing about True Romance is some of the acting. The biggest problem with the film is who’s doing that great acting. It’s not leads Christian Slater and Patricia Arquette, who the film eventually just ignores in order to further its supporting cast (which is sort of fine, as the read more

Doris Day. THIS Icon. I’m a fan. She’s not my number one favourite actress, but she certainly is my favourite singer (along with Madonna). Doris makes me happy. She herself said “I like joy; I want to be joyous; I want to have fun on the set; I want to wear beautiful clothes and l read more

Bridge to the Sun is one of those film’s that was ahead of it time. Its main actors are hardly remembered by modern audiences. The top-billed leading lady, Carroll Baker, was probably more notorious for her controversial persona in films like Tennessee’s Williams’ Baby Doll, than she was famous. read more

Bridge to the Sun is one of those films that was ahead of its time. Its main actors are hardly remembered by modern audiences. The top-billed leading lady, Carroll Baker, was probably more notorious for her controversial persona in films like Tennessee’s Williams’ Baby Doll than she was famous. read more

How do you create a Christmas film that is sentimental, without dripping it in eggnog? Especially when you’ve agreed to make it a romance between a shoplifter and her prosecutor, and set it in *gulp* Indiana, which is  peppered with cornpone clichés in every cinematic portrayal? Miraculously, read more

How do you create a Christmas film that is sentimental, without dripping it in eggnog? Especially when you’ve agreed to make it a romance between a shoplifter and her prosecutor, and set it in *gulp* Indiana, which is  peppered with cornpone clichés in every cinematic portrayal? Miraculously, read more

Ever since I became a classic film fan, I've been hearing about Deanna Durbin. Since Wizard of Oz was a giant favorite of mine, and since Durbin was the unofficial rival of Judy Garland, I was steadfast in believing that Durbin wasn't for me. It honestly made no sense, I know. I never had any intere read more