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A tawny-haired beauty with a smoldering gaze and a distinctively throaty voice, Lizabeth Scott is my film noir guilty pleasure. She’s no Sarah Bernhardt, it’s true – but she’s one of the quintessential bad girls of the noir era, and she’s just plain fun to watch! And on November 15th, TCM read more

So today is Grace Kelly's birthday, which I already posted about on my Facebook blog page. But then I realized today happens to be Tuesday, which anyone who follows my blog knows that I have a series called If It's Tuesday, Then It Must Be Grace Kelly. I usually post photos, reviews of her films an read more

I’m consistently tickled by the fact that, despite my general aversion to the genre in my daily life, my Indie Watch column regularly features appraisals of romantic comedies. In my better moments, I just watch the film and try to determine its good and bad qualities without applying too much of my read more

I have never written a love-letter before. I don’t foresee myself writing one anytime soon, but if I had to, if my life absolutely depended on it – Well than consider it done, and consider that white manila-envelope mailed out west care of The X-Files television-series producer, Chris C read more

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 500. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: “Two Weeks With Love read more

Clara Bow is an Apache whose boyfriend is taken away by a do-gooder. Determined to show the goody-two-shoes a lesson, she decides to marry him. Yes, that is the plot they decided to go with. Clara was a very busy woman. Clara Bow was one of the hardest workers in Hollywood. Need proof? Well, this read more

Deciphering my love for classic movies! Let's say that someone came and put two movies in front of me. One, a classic film and the other, a modern one. Which one would I choose to watch (and keep, for that matter)? A or B? Without a doubt and with very little hesitation, I'd definitely choose t read more

People make their money different ways. Me? I’ll stick to advertising. NOTE: Ten days after publishing this article, I had a terrible shock. I had just published the announcement for my Lon Chaney Blogathon and had several browser tabs open. Then I heard it– an autoplay ad! Of all the t read more

Giacomo Puccini’s 1896 Italian opera La bohème has seen many forms in the century since its first performance in Turin. The story–itself borrowed from Henri Murger’s 1851 collection Scènes de la vie de bohème–has been retold in many forms, with and without the music. It’ read more

People make their money different ways. Me? I’ll stick to advertising. You may have noticed that my blog has ads. There’s a reason for that. I have signed up for the WordAds program from WordPress.com. It seems that a fair amount of bloggers are curious about the program so I thought I read more

Today was a very special day at Cinecon, as guests anxiously awaited a much-anticipated Q&A session with the legendary Shirley Jones following a screening of April Love. As you may know, I am a big fan of Jones’ portrayal of the prostitute Lulu Barnes in Elmer Gantry and I was excited to read more

The Night of Love (1927) Status: Samuel Goldwyn donated a print of this film to the Metropolitan Museum of Art in 1956, it is the only known copy in existence. The film has been shown at festivals and special screenings but has never been released to the general public. The film was praised for it read more

1.  She was talented. Enough said. 2.  Who needs glamour when you can have realism? When Bette Davis first signed with Warner Brothers, the executives at Warner’s had no idea what to do with her.  Bette said of her early days at Warner’s, “I was known as the little brown wren.  read more

Henry Jaglom directed Orson Welles in two films, his debut, 1971’s A Safe Place, and Someone to Love, Welles’s last screen appearance. They’re essentially bookends to the friendship of the two men. In addition to showing Jaglom’s evolution as a filmmaker, they give a sense of Welles’ aura, read more

It’s either fitting or bewildering that my introduction to the work of French auteur Leos Carax began with his latest film, the confounding and haunting Holy Motors (2012). Carax’s cinematic universes and the progression (if it can be called that) of his life’s work are hardly lin read more

I came to the realization recently that a lot of the films on Four Star Film are rather dramatic and heavy. I figured a change of pace would be good and I wanted to lighten up some. So in the near future I wanted to highlight some great comedy films from the Marx Brothers, Laurel Hardy, Mel Brooks, read more

I came to the realization recently that a lot of the films on Four Star Film are rather dramatic and heavy. I figured a change of pace would be good and I wanted to lighten up some. So in the near future I wanted to highlight some great comedy films from the Marx Brothers, Laurel Hardy, Mel Brooks, read more

Best known for the controversial Straw Dogs (1971) and the drive-in classic Dirty Mary, Crazy Larry (1974), Susan George has acted in film and television for six decades. She met fellow British actor Simon MacCorkindale (Death on the Nile) at a charity event in 1977 and the two became best friends. read more

John Goodman as Woolsey/William Castle being awesome As a movie lover, I love watching films that were made by fellow movie lovers with “our people” (all of the film-crazed beings of the world) in mind. Matinee by Joe Dante is one of those films. Released in 1993 and set in 1962, Matinee read more

Recently, I was honored to hear I was awarded with the "One Lovely Blog Award" by the lovely "Movies Silently" blog. I'm a big fan of this silent film centric blog so I was all the more delighted hear the feeling was mutual! Fritzi Kramer (aka @MoviesSilently) is the tea-sipping, book-reading a read more