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Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the way, jokes coming at read more

Classic Film Aficionados Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the read more

In November 1936, about the time Carole Lombard entered the Los Angeles Hall of Records to officially change her name from Jane Alice Peters, Bernarr Macfadden's Liberty magazine ran a story about her, focusing not so much on her career as an actress but her personal -- heck, romantic -- life.We ran read more

Along with Double Indemnity, The Postman Always Rings Twice, and Sudden Fear, Mildred Pierce is one of the few films noirs that I have had the pleasure of seeing on the big screen. Because of this, it’s a sentimental favorite of mine, but I also love it on its own merit – and there’s so much to read more

Last time, we learned that Cecil B. DeMille started 1915 with a shaky mix of established stage stars, popular plays and his own original material. We ended with The Captive, an original story created by DeMille and his collaborator Jeanie Macpherson. The tale was likely designed to get one more use read more

Virtual relationships are not unlike traditional relationships. I’ve been on Twitter since April 2011.  During my near-three years and 11,000+ tweets on the social networking site, I’ve enjoyed friendships of varying depths, just as if I had met the same folks at school or at work or in read more

Owl Jolson loves to sing-a. You may see me dancing around the office, shaking my finger and singing the tune from this Warner Brothers cartoon. The 1936 cartoon “I Love to Singa” is one of those cartoons I saw as a child that has always stuck with me. Every night before bed, I watched Warner Brothe read more

Confession: I was bored and unmoved the first time I watched THE BEST YEARS OF OUR LIVES. Before you start penning your hate mail, I was in my early twenties at the time, and my idea of a “war film” was BUCK PRIVATES (1941), the 84-minute Abbott and Costello romp in which the draft looks like an read more

To honor the 80th anniversary of the pairing of Fred Astaire and Ginger Rogers, I wrote a post about the origins of their teaming, so today, I decided to post my personal list of Fred and Ginger’s films in order of my least favorite to favorite. This was a bit of a challenge for me, because I read more

The Gay Divorcee airs tonight on TCM as part of its  month-long tribute to Fred Astaire Watching a console TV for long stretches from the living room floor and a distance of not more than a few feet was a good part of a typical day for most tots of my era. Much of what we watched was “ read more

Have you ever asked a classic film fan how they became an admirer of classic cinema? Many of them can't provide a definitive answer--like so many things in life, their love of classic films just evolved over time. For others, though, the answer might be one life-altering film experience. Or, it coul read more

I do not believe there is anyone out there that doesn’t admire Audrey Hepburn, if only a little.  Some perhaps know her best as the spunky ‘Liza Doolittle, the cockney flower-girl often heard twittering a happy tune. For others, her name conjures up a crystalline image of a young lady wa read more

I recently saw a PSA entitled “What if Straight Were Gay?” However, a piece that short doesn’t have the time to take the facts and reverse the players. This 20-minute short does and it thinks of virtually everything. This film is not rated by the MPAA or any other body so far as I read more

New York City gossip columnist Jimmy Russell (Douglas Fairbanks, Jr.) knows all the right people, and all the wrong ones, too. Being on the Broadway beat means he spends quite a bit of time at Sardi’s, especially with his lady of the moment, aspiring actress Mary Wodehouse (Frances Dee)– read more

This is my second favorite Esther Williams movie behind Dangerous When Wet (1953). It’s not surprising that these are my two favorite Esther movies as they were filmed only months apart, were both directed by Charles Walters (High Society, Easter Parade, Summer Stock), and both star Esther read more

http://www.museumoffloridahistory.ydom/resources/collections/posters/EasytoLove.cfm  Unless otherwise noted, all images are my own This is my second favorite Esther Williams movie behind Dangerous When Wet (1953). It’s not surprising that these are my two favorite Esther movies as they were read more

Thanksgiving is next Thursday, and naturally, I’m getting excited. However, it’s not the upcoming feast that’s making me happy (although I would literally kill a family member if it got me a piece of pumpkin pie—with whipped cream, obviously. I’m not a total animal.) No read more

I’m digging further into the mass of Busby Berkeleys I accumulated last week, and I’ve run into another odd, very un-”Berkeley”-like picture: I Live for Love. It’s very interesting to look at these smaller films as a kind of career in and of itself, moving parallel to read more

A tawny-haired beauty with a smoldering gaze and a distinctively throaty voice, Lizabeth Scott is my film noir guilty pleasure. She’s no Sarah Bernhardt, it’s true – but she’s one of the quintessential bad girls of the noir era, and she’s just plain fun to watch! And on November 15th, TCM read more

So today is Grace Kelly's birthday, which I already posted about on my Facebook blog page. But then I realized today happens to be Tuesday, which anyone who follows my blog knows that I have a series called If It's Tuesday, Then It Must Be Grace Kelly. I usually post photos, reviews of her films an read more