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 SWING HIGH, SWING LOW is the third of four films made by Paramount that starred Carole Lombard and Fred MacMurray. Today the movie, which fell into public domain, is only available in a mediocre-looking version that doesn't give credit to the talent and effort of those who worked on it. Turner read more

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: High Society (1956) – read more

Fast Times at Ridgemont High Directed by Amy Heckerling Written by Cameron Crow based on his book 1982/US IMDb page First viewing/YouTube rental Jeff Spicoli: Well Stu I’ll tell you, surfing’s not a sport, it’s a way of life, it’s no hobby. It’s a way of looking at that read more

The introduction of the main character Jerry Mitchell (Casey Siemaszko ) feels fairly standard and in line with Ferris Bueller, Say Anything, or any of its brethren from the ’80s. Late for school. Dirty shirts strewn about. Simultaneously zapping pop tarts and wet clothes in the microwave. Fla read more

High Noon I’ve seen High Noon (1952) multiple times over the years, including a memorable theatrical screening at the FilmEx festival when I was in my teens. The FilmEx screening, which took place in Century City, California, was part of a 50-hour movie marathon honoring the 50th read more

Darren McGavin made five pictures for Walt Disney Studios between 1969 and 1979, one of which - High Flying Spy - he made during the height of his popularity playing on television's Kolchak: The Night Stalker. In this made-for-television film, he stars as John Jay Forrest, a rival balloonist to read more

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: High School Hero (1946) read more

Who said you can't kiss with a mask on? Van Johnson and June Allyson prove that it can be easily done in this photo from a scene from High Barbaree ( 1947 ). From the Archives is our latest series of posts where we share photos from the Silverbanks Pictures collection. Some of these m read more

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: Hitting a New High (1937) read more

Claude Jarman Jr. Child Star of The Yearling Talks about his 2nd Film, High Barbaree CMH is thrilled to present our 2nd exclusive video interview with Claude Jarman Jr. You will probably remember Claude as ‘Jody Baxter’ in his feature film debut, The Yearling, opposite Gregory Peck a read more

Is "Swing High, Swing Low" perhaps Carole Lombard's most overlooked hit? Released in early 1937, this musical drama with Fred MacMurray -- the only film where Lombard sings for herself, no dubbing done -- became an unorthodox smash (Paramount's biggest money-maker for the entire year). Alas, for sev read more

Barry Newman in Vanishing Point. Rural car chase movies were a staple at drive-in theaters in the 1970s, where you could view Grand Theft Auto, Eat My Dust, and Dirty Mary, Crazy Larry. The most famous of these films is arguably Vanishing Point, which was released in 1971. Unlike the aforementioned read more

(1987) Directed by Phil Joanou; Written by Richard Christian Matheson and Tom Szollosi; Starring: Casey Siemaszko, Annie Ryan, Richard Tyson, Stacey Glick, Jeffrey Tambor, Philip Baker Hall and Mitch Pileggi; Available on Blu-ray and DVD Rating: **** “I was really working overti read more

For me, it’s fascinating to consider directors who did not simply direct remakes but they actually reworked their earlier films. Prominent examples are, of course, Alfred Hitchcock, Yasujiro Ozu, Cecil B. DeMille, and Frank Capra, just to name a few. The reasons could range from any number of read more

In 2011, I announced I was trying to see every film released in 1939. This new series chronicles films released in 1939 as I watch them. As we start out this blog feature, this section may become more concrete as I search for a common thread that runs throughout each film of the year. Right now, th read more

It isn't as well remembered as many of Carole Lombard's other performances (for reasons we'll explain later), but "Swing High, Swing Low" was perhaps her biggest hit at Paramount. In fact, it was the studio's most profitable film for all of 1937, not to mention the only movie Carole made where she s read more

Pre-Code Corner: Outward Bound: High Class on the High Seas “A helluva good picture about heaven!” a September 1930 Variety ad boisterously proclaimed of Outward Bound. Leave it to Warner Brothers to make a surpassingly ethereal, sophisticated picture… and then endorse the hell out of it in a read more

Here’s a question: Can we blame a brilliant director for films that don’t match his usual brilliance? If a film has a little of his luster, enough to make it stand out from the rest, but not enough to make us clamor for repeat viewings, is it fair to claim, “That sucked?” I read more

Here’s a question: Can we blame a brilliant director for films that don’t match his usual brilliance? If a film has a little of his luster, enough to make it stand out from the rest, but not enough to make us clamor for repeat viewings, is it fair to claim, “That sucked?” I read more

One of King of the Rocket Men’s unintentional strengths is its brevity. The chapters never go on too long. They’re all just right, even when they’ve got lackluster events. Most of High Peril is lackluster. The opening cliffhanger resolution is lackluster, the group interrogation s read more