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Originally posted on Classic Film Aficionados: View original 8 more words read more

Classic Film Aficionados On Sunday, February 13th, 1955 The Big Combo premiered in Japan and the United States. Directed by the master-of-style Joseph H. Lewis, photography by near-legendary-cinematographer John Alton, written by Philip Yordan (read further on Yordan from The Film Noir Foundation), read more

On Sunday, February 13th, 1955 The Big Combo premiered in Japan and the United States. Directed by the master-of-style Joseph H. Lewis, photography by near-legendary-cinematographer John Alton, written by Philip Yordan (read further on Yordan from The Film Noir Foundation), music by David Raksin and read more

On Sunday, February 13th, 1955 The Big Combo premiered in Japan and the United States. Directed by the master-of-style Joseph H. Lewis, photography by near-legendary-cinematographer John Alton, written by Philip Yordan (read further on Yordan from The Film Noir Foundation), music by David Raksin and read more

Classic Film Aficionados On Sunday, February 13th, 1955 The Big Combo premiered in Japan and the United States. Directed by the master-of-style Joseph H. Lewis, photography by near-legendary-cinematographer John Alton, written by Philip Yordan (read further on Yordan from The Film Noir Foundation), read more

Originally posted on Classic Film Aficionados: Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s Pie, an all-in-one-meal, all of the staples needed for your diet plus some gravy to make it taste just that much better, add a little cheese on top of the mashed potatoes and read more

Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s Pie, an all-in-one-meal, all of the staples needed for your diet plus some gravy to make it taste just that much better, add a little cheese on top of the mashed potatoes and you have the perfect recipe; welcome to wh read more

Witness for the Prosecution premiered nationally on February 6, 1958; this classic film had World Premiere in Los Angeles, in December of 1957, therefore qualifying for the 1958 Academy Awards. Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s Pie, an all-in-one-meal read more

Classic Film Aficionados Witness for the Prosecution premiered nationally on February 6, 1958; this classic film had World Premiere in Los Angeles, in December of 1957, therefore qualifying for the 1958 Academy Awards. Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s read more

Witness for the Prosecution premiered nationally on February 6, 1958; this classic film had World Premiere in Los Angeles, in December of 1957, therefore qualifying for the 1958 Academy Awards. Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s Pie, an all-in-one-meal read more

Classic Film Aficionados Witness for the Prosecution premiered nationally on February 6, 1958; this classic film had World Premiere in Los Angeles, in December of 1957, therefore qualifying for the 1958 Academy Awards. Umm, umm, good! Witness for the Prosecution is delightful like a Shepherd’s read more

Feed the Kitty, directed by Chuck M. Jones (also, he designed the characters), gave us the first appearances of bulldog Marc Antony and Pussyfoot the kitten; 3 follow ups were made: Kiss Me Cat, 1953; Feline Frame-Up, 1954, and in 1958, Cat Feud. This truly is a funny animated short (7 minutes long) read more

Feed the Kitty, directed by Chuck M. Jones (also, he designed the characters), gave us the first appearances of bulldog Marc Antony and Pussyfoot the kitten; 3 follow ups were made: Kiss Me Cat, 1953; Feline Frame-Up, 1954, and in 1958, Cat Feud. This truly is a funny animated short (7 minutes long) read more

Feed the Kitty, directed by Chuck M. Jones (also, he designed the characters), gave us the first appearances of bulldog Marc Antony and Pussyfoot the kitten; 3 follow ups were made: Kiss Me Cat, 1953; Feline Frame-Up, 1954, and in 1958, Cat Feud. This truly is a funny animated short (7 minutes long) read more

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the way, jokes coming at read more

Originally posted on Classic Film Aficionados: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love read more

Classic Film Aficionados Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the read more

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the way, jokes coming at read more

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the way, jokes coming at read more

Classic Film Aficionados Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a (pardon the following puns) buckish, ripping, almost as strange as a real life yarn, with a story line as big as the Empire State Building-climbing gorilla himself. A little love is saluted along the read more