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Alice Guy, 1st Female Filmmaker – Automated Hat-Maker and Sausage-Grinder [Chapellerie et charcuterie mécanique] (1900)

The Giddy Blog Posted by chrisgiddens on Apr 13, 2012

What else do you need? http://www.imdb.com/title/tt0350698/ Share this:FacebookTwitterPinterestTumblrRedditStumbleUponDiggEmailLike this:LikeBe the first to like this. read more

Alice Guy, 1st Female Filmmaker – Opera Avenue [Avenue de l'opéra] (1900)

The Giddy Blog Posted by chrisgiddens on Apr 12, 2012

Not the first reverse-motion film, but definitely one of the most vibrant from early cinema. With plenty of action, we are given a surreal portal to the past. http://www.imdb.com/title/tt0000274/ Share this:FacebookTwitterPinterestTumblrRedditStumbleUponDiggEmailLike this:LikeOne blogger likes t read more

Alice Guy, 1st Female Filmmaker – Wonderful Absinthe [La bonne absinthe] (1899)

The Giddy Blog Posted by chrisgiddens on Apr 11, 2012

Is this a film with a main character who drinks absinthe? Or a representation of Alice Guy-Blaché’s mind after she took a trip with the green fairy? It appears to be the former, though I would love to see the latter. http://www.imdb.com/title/tt0000228/ Share this:FacebookTwitterPinterestT read more

Alice Guy, 1st Female Filmmaker – At the Club [Au cabaret] (1899)

The Giddy Blog Posted by chrisgiddens on Apr 10, 2012

A slightly different look at a familiar narrative in early French cinema. The original was Louis Lumière’s Card Game (Partie de Cartes), and the 1st remake was Georges Méliès’s Card Party (Une Partie de Cartes). http://www.imdb.com/title/tt0000222/ Share this:FacebookTwitterPinterest read more

Alice Guy, 1st Female Filmmaker – Surprise Attack on a House at Daybreak [Surprise d'une maison au petit jour] (1898)

The Giddy Blog Posted by chrisgiddens on Apr 9, 2012

The appropriately titled Surprise Attack on a House at Daybreak (aka House Ambushed at Dawn) by Alice Guy-Blaché begins rather shockingly, and then the action continues all the way through the final frames. http://www.imdb.com/title/tt1612582/ Share this:FacebookTwitterPinterestTumblrRedditStumb read more

Alice Guy, 1st Female Filmmaker – Disappearing Act [Scène d'escamotage] (1898)

The Giddy Blog Posted by chrisgiddens on Apr 8, 2012

Imitation is the sincerest form of flattery, and Alice Guy-Blaché’s Disappearing Act (aka Scène d’escamotage) is an obvious imitation of the early films of Georges Méliès, such as The Vanishing Lady. Also note that we see the same backdrop used in At the Hypnotist’s. http://www.im read more

Alice Guy, 1st Female Filmmaker – The Turn-of-the-Century Blind Man [L'aveugle fin de siècle] (1898)

The Giddy Blog Posted by chrisgiddens on Apr 7, 2012

After being admonished by a cop, a “blind” beggar takes advantage of a sleeping mark to……get the mark arrested? http://www.imdb.com/title/tt1612558/ Share this:FacebookTwitterPinterestTumblrRedditStumbleUponDiggEmailLike this:Like2 bloggers like this. read more

Alice Guy, 1st Female Filmmaker – At the Hypnotist’s [Chez le magnétiseur] (1897)

The Giddy Blog Posted by chrisgiddens on Apr 6, 2012

This is one of the earliest Guy-Blaché films in which we see the influence of Georges Méliès. One striking difference is the longer distance that exists between the onscreen action and the camera. http://www.imdb.com/title/tt0000144/ Share this:FacebookTwitterPinterestTumblrRedditStumbleUponDigg read more

Alice Guy, 1st Female Filmmaker – The Fisherman at the Stream [Le pêcheur dans le torrent] (1897)

The Giddy Blog Posted by chrisgiddens on Apr 5, 2012

The Fisherman at the Stream (aka Le pêcheur dans le torrent), is a comedic prank film of a type which began with Louis Lumière’s L’arroseur arrosé (The Sprinkler Sprinkled). In fact, Alice Guy-Blaché also filmed a remake of Lumiere’s short, but that movie is now presumed lost. read more

Alice Guy, 1st Female Filmmaker – The Cabbage Fairy [La fée aux choux] (1896)

The Giddy Blog Posted by chrisgiddens on Apr 3, 2012

The Cabbage Fairy (aka La fée aux choux) is the oldest surviving film directed by the world’s 1st female filmmaker, Alice Guy-Blaché. The short references a folk tale regarding the origin of babies, not unlike the delivery stork, and pre-dating Cabbage Patch dolls by about 80 years. http://ww read more

Beyond 100: The 1st Female Filmmaker (Alice Guy), Méliès in May, and more

The Giddy Blog Posted by chrisgiddens on Apr 2, 2012

First off, thank you to anyone reading this and to everyone who’s checked out a previous posting. It’s been a delightful time, giddy actually, connecting and interacting with those who have found something of interest in a post or two. I plan to do a better job of regularly sharing conte read more

Female (1933) (1)

Hollywood Revue Posted by Angela on Nov 18, 2011

Alison Drake (Ruth Chatterton) is a woman with no interest at all in conforming to stereotypical expectations of women.  Rather than being a secretary or a shopgirl, she is perfectly happy running her father’s car company.  She runs a tight ship, but it doesn’t leave her much time for read more

Quotes in Pre-Code: Female (1933)

Shadows and Satin Posted by shadowsandsatin on Jun 23, 2011

“ I know for some women, men are a household necessity.  Myself, I’d rather have a canary.”  Ruth Chatterton in Female (1933) Ruth Chatterton: "I'd rather have a canary." ~ by shadowsandsatin on June 23, 2011. Posted in The Language of Pre-Code Tags: chatterton, read more

The Flappers: Free, Female & 21

A Person in the Dark Posted by FlickChick on Mar 12, 2011

Fourth in a series about strong women in film. Strong women are independent, beautiful, sexy, feminine and just want everything in life that a man wants and believe that they have every right to have it! The 1920s, that youth-worshiping decade of freedom and abandon, spawned a female pheno read more

CMBA Hitchcock Blogathon: The Endangered Female in Dial M for Murder

True Classics Posted by Brandie on Jan 17, 2011

Alfred Hitchcock’s oeuvre is so filled with victimized women that it seems to indicate an almost uncontrollable fetish on the part of the prolific director. Feminists have long had a field day with interpretations of feminine behavior and characterizations within Hitchcock’s work, and it read more

Alice Guy: First female director in the motion pictures.

Noir and Chick Flicks Posted by Dawn on Oct 9, 2010

Alice Guy was hired by Leon Gaumont to work for a photography company as a secretary. The company soon went out of business, after which Gaumont began his own company that became a major force in the motion picture industry in France. Alice Guy decided to join the new Gaumont Film Company, a decis read more

MALE AND FEMALE (1919) Gloria Swanson

Noir and Chick Flicks Posted by Silentfilmfanatic on Nov 9, 2009

One of the greatest hits Gloria Swanson had under the direction of Cecil B. DeMille was "Male and Female" (1919). A satire on the British class system, "Male and Female" is based on James Barrie's play, "The Admirable Crichton." In this film, Thomas Meighan plays William Crichton, a very proper bu read more

The Female of the Species

Café Muscato Posted by Muscato on Aug 29, 2009

Well, we've looked at various Daughters, Girls, and Women, so it seems almost inevitable to go down this little memory-lane, perhaps the most sordid of them all... For a long time, but never more than during the sublimely trashy era between the nudie-cuties and the rise of videotape, "female" was mo read more

Video: Female Led Pre-Code Movies

Out of the Past - A Classic Film Blog Posted by Raquel Stecher on Nov 30, -0001

I had a wonderful time chatting with Robert and Stephen of the YouTube channel Coffee with Aliens at the Movies about women in Pre-Code film. We discussed The Divorcee (1930), Blonde Crazy (1931), Working Girls (1931), Millie (1931), Safe in Hell (1931), Baby Face (1933), Female (1933) and Design fo read more

The Female Gaze by Alicia Malone

Out of the Past - A Classic Film Blog Posted by Raquel Stecher on Nov 30, -0001

The Female Gaze Essential Movies Made by Women by Alicia Malone Various Contributors Hardcover ISBN: 9781633538375 Mango November 2018 Amazon — Barnes and Noble — Powell's “I think there is still a misconception that all directors are Cecil B. De Mille types with a loud voice and read more
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