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As we make our way to the conclusion of Double Indemnity week, it’s a pleasure to take this opportunity to salute one of the best things about this gem: the exquisite writing. Whether it was one liners, monologues, or dialogues between characters, Double Indemnity served up some of the most deliciou read more

It’s my favorite noir and one of my favorite films of all time. So you know there’s lots about Double Indemnity that I’m thankful for. Here are just a few… The opening of the film, which depicts the silhoette of a behatted man on crutches, slowly moving toward us, accompanied read more

I love lots of things – baking sweet treats (like tonight’s apple turnovers), reorganizing cabinets, browsing the stacks at my downtown library . . . And taking classic movie quizzes. I hope you do, too, because I’m serving up a super-sized quiz on this week’s focus film, Double read more

As we enter the last week of this year’s Noirvember celebration, what better time to dive into some trivia on our focus film? Pull up a chair and snack on some trivial tidbits on Double Indemnity . . . The first name of Phyllis’s hapless husband was never spoken. Billy Wilder was nominated for an read more

It’s Friday, y’all – and you know what that means! It’s time to ring up the ol’ curtain on the fourth and final noir that I’ll be spotlighting during this month. And if you know me at all, you’ve known that one of my focus films this month would have to be my all-time favorite noir (drum read more

Book Review: “From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film Noir” Title: From the Moment They Met It Was Murder: Double Indemnity and the Rise of Film NoirBy: Alain Silver and James UrsiniPublisher: Running Press – Turner Classic MoviesISBN: 978 read more

Noir Nook: Just the Facts on Double Indemnity Not long ago, I was interviewed on a podcast about my very favorite film noir – Double Indemnity (1944). I had an absolute ball talking about the superb writing and direction, the distinctive cinematography and music, and the first-rate performances read more

A little over a week ago, I started my Pre-Code screening series The Style of Sin at the Egyptian Theatre and my first star was Barbara Stanwyck. As we saw while watching Ladies of Leisure (1930) and Baby Face (1933), she was a talented actress from the very beginning of her career. And though read more

Double Indemnity is mostly a character study. There’s the noir framing device–wounded insurance salesman Fred MacMurray stumbling into his office and recording his confession on a dictaphone. Turns out he met a woman and things didn’t work out. MacMurray narrates the entire film. Occasionally read more

Today, I'm writing about the lessons I learned from the classic film noir Double Indemnity (1944), starring Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. This article is part of the Things I Learned from the Movies blogathon hosted by Speakeasy and Silver Screenings. There are many read more

Originally published March 2012 This is my second viewing of Double Indemnity, and my first time where I actually had to study it critically as part of my Women in Film class.  The first time I saw the movie was for an earlier film class and while I enjoyed it, I didn’t consider it anything sp read more

TCM and Fathom Events are bringing Double Indemnity starring Fred MacMurray and Barbara Stanwyck to movie screens across the US on July 19 and 20. If you haven't seen it you're in for a rare treat; if you have, now is a great time to revisit this film noir classic. This article features vintage ads read more

via: http://www.tcm.com/tcmdb/title/73500/Double-Indemnity/#tcmarcp-152119  Unless otherwise noted, all images are my own. In honor of TCM’s “Summer of Darkness” Film Noir Festival and online course, here’s Double Indemnity (1944), an undisputed masterpiece of the genre. But read more

via: http://www.tcm.com/tcmdb/title/73500/Double-Indemnity/#tcmarcp-152119  Unless otherwise noted, all images are my own. In honor of TCM’s “Summer of Darkness” Film Noir Festival and online course, here’s Double Indemnity (1944), an undisputed masterpiece of the genre. But read more

In this photo, Phyllis Dietrichson (Barbara Stanwyck) and Walter Neff (Fred MacMurray) hatch a plot to kill her husband while shopping at the local grocery store in the classic film noir, Double Indemnity (1944). The movie was based on a real murder that was a tabloid sensation in the 1920s. An read more

NOTE: This post is a part of TMP’s Barbara Stanwyck Filmography project. I’m on a mission to view (or re-watch) and review all of Barbara Stanwyck’s films! For more posts in this series, visit the Listography page. The favorite film: Double Indemnity, a 1944 noir directed by Billy read more

I can’t say this enough. Double Indemnity is so deliciously enticing each and every time I see it. Maybe it’s the A-grade script from Billy Wilder and crime novelist Raymond Chandler with its noir cynicism and memorable phraseology. Maybe it’s the shadowy, low key interiors or L.A. read more

I can’t say this enough. Double Indemnity is so deliciously enticing each and every time I see it. Maybe it’s the A-grade script from Billy Wilder and crime novelist Raymond Chandler with its noir cynicism and memorable phraseology. Maybe it’s the shadowy, low key interiors or L.A. read more

I can’t say this enough. Double Indemnity is so deliciously enticing each and every time I see it. Maybe it’s the A-grade script from Billy Wilder and crime novelist Raymond Chandler with its noir cynicism and memorable phraseology. Maybe it’s the shadowy, low-key interiors or L.A. read more

When I heard that my fellow bloggers over at Shadows and Satin, Silver Screenings, and Speakeasy were getting ready to host The Great Villain Blogathon a few days ago, I knew that an opportunity to celebrate my favorite movie villains with other film fans was just too good to pass up. I signed up read more