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Cinderella

Le Mot du Cinephiliaque Posted by Michael on Oct 24, 2012

Cinderella (Clyde Geronimi, Wilfred Jackson & Hamilton Luske, 1950) When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother. When the Disney Studios re-release one of their read more

"Platinum Blonde" and the Birth of "Cinderella Man"

The Man on the Flying Trapeze Posted by David on Jun 28, 2012

Give Frank Capra credit -- once the guy found a formula, he stuck with it. Specifically -- an honorable man, pure at heart, up against powerful and/or wealthy forces out to destroy or at least ostracize him. You can apply it to almost any Capra film, from "Mr. Smith Goes to Washington" to "Meet John read more

"Platinum Blonde" and the Birth of "Cinderella Man"

The Man on the Flying Trapeze Posted by David on Jun 28, 2012

Give Frank Capra credit -- once the guy found a formula, he stuck with it. Specifically -- an honorable man, pure at heart, up against powerful and/or wealthy forces out to destroy or at least ostracize him. You can apply it to almost any Capra film, from "Mr. Smith Goes to Washington" to "Meet John read more

Cinderella (1914)

Journeys in Classic Film Posted by Kristen on Jun 1, 2012

**This is part of the Classic Movies – Mary Pickford Blogathon.  Check out Classic Movies for more Mary Pickford goodness! I know a fair bit about Mary Pickford.  My first semester of college I took a film class and Eileen Whitfield‘s book Pickford: The Woman Who Made Hollywood was requi read more

Lotte Reiniger’s Cinderella (1)

Pretty Clever Films Posted by Pretty Clever Film Gal on Mar 29, 2012

If you’re a lucky gal like me, in mere hours you’ll be in Innis Town Hall in Toronto, enjoying the launch of the Toronto Silent Film Festival. If you’re not that lucky, I have a lone tear rolling down my cheek for you. As excited as I am about dancing the shimmy with young, lovel read more

Lotte Reiniger’s Cinderella (2)

Pretty Clever Films Posted by Pretty Clever Film Gal on Mar 29, 2012

If you’re a lucky gal like me, in mere hours you’ll be in Innis Town Hall in Toronto, enjoying the launch of the Toronto Silent Film Festival. If you’re not that lucky, I have a lone tear rolling down my cheek for you. As excited as I am about dancing the shimmy with young, lovel read more

March Melies Madness! – Cinderella [Cendrillon] (1899)

The Giddy Blog Posted by chrisgiddens on Mar 21, 2012

This oldest known film adaptation of Charles Perrault’s 1697 fairy tale, Cendrillon, is also the first movie to utilize a dissolve transition between scenes. Méliès accomplished this by closing the lens aperture, rewinding the film, and then re-opening the aperture. Music performed by Billy read more

CMBA Guilty Pleasures Blogathon: Cinderella Jones

True Classics Posted by Brandie on Sep 18, 2011

This post is our contribution to the final CMBA blogathon of the year, a veritable feast of guilty pleasures ranging from pre-Code flicks through the fabulous excesses of the 1980s. To see the wonderful contributions from other CMBA members, check out the list on their site! The celebration starts read more

Every Cinderella has Her "Midnight"

Classic Movie Man Posted by Stephen Reginald on Oct 24, 2009

Every Cinderella has Her "Midnight" Midnight, directed by Mitchell Leisen, with a script by Billy Wilder and Charles Brackett, and released by Paramount Pictures, is one of the great movies of 1939. It stars Claudette Colbert as a down-on-her-luck American showgirl in Paris and Don Ameche as a read more

Every Cinderella has Her "Midnight"

Classic Movie Man Posted by Stephen Reginald on Oct 24, 2009

Every Cinderella has Her "Midnight" Midnight, directed by Mitchell Leisen, with a script by Billy Wilder and Charles Brackett, and released by Paramount Pictures, is one of the great movies of 1939. It stars Claudette Colbert as a down-on-her-luck American showgirl in Paris and Don Ameche as a read more

Cinderella

Café Muscato Posted by Muscato on Oct 20, 2008

Egyptians are mad about movies, and the big stars of the Egyptian cinema are revered by the general public in the way that more rarefied circles in the West feel about Garbo, Davis, Gable, and Bogart.They love the triumphs, and almost as much they revel masochistically in the tragedies. Just about t read more
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