The Blue Dahlia Overview:

The Blue Dahlia (1946) was a Crime - Drama Film directed by George Marshall and produced by John Houseman and George Marshall.

The Blue Dahlia (1946)

SYNOPSIS

When Johnny Morrison returns home at the end of the war, he expects to receive a warm welcome from his wife. Instead, he discovers that she's been unfaithful to him with the owner of the Blue Dahlia nightclub. After a heated argument, he storms out of their house. Later that night, she's murdered - and Johnny winds up the prime suspect. Joyce Harwood, the estranged wife of the club's proprietor, lends Johnny a hand and the two fall in love while tracking down the killer. This film noir classic was Chandler's first original story written directly for the screen.

(Source: available at Amazon AMC Classic Movie Companion).

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Academy Awards 1946 --- Ceremony Number 19 (source: AMPAS)

AwardRecipientResult
Best WritingRaymond ChandlerNominated
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BlogHub Articles:

Review of “The Blue Dahlia” at #NoirCityChicago

By Stephen Reginald on Aug 19, 2018 From Classic Movie Man

Review of “The Blue Dahlia” at #NoirCityChicago I went to see The Blue Dahlia, at the Music Box Theatre, 3733 N. Southport Ave, Chicago, last night. The 1946 Paramount release, directed by George Marshall was presented in a clean 35mm print. The original screenplay from detective st... Read full article


The Blue Dahlia (1946)

By 4 Star Film Fan on Jun 15, 2017 From 4 Star Films

Soldiers returning home from war is a recurring theme in films such as The Best Years of Our Lives and Act of Violence and given the circumstances it makes sense. This was the reality. Men returning home from war as heroes. But even heroes have to re-acclimate to the world they left behind. Blue Dah... Read full article


The Blue Dahlia (1946)

By 4 Star Film Fan on Jun 15, 2017 From 4 Star Films

Soldiers returning home from war is a recurring theme in films such as The Best Years of Our Lives and Act of Violence and given the circumstances it makes sense. This was the reality. Men returning home from war as heroes. But even heroes have to re-acclimate to the world they left behind. Blue Dah... Read full article


Raymond Chandler's "The Blue Dahlia"

By Rick29 on Jan 7, 2016 From Classic Film & TV Cafe

The Blue Dahlia nightclub. "As pictures go, it is pretty lively. No classic, but no dud either." That's how Raymond Chandler described the movie made from his only original screenplay in a 1946 letter. Chandler was typically critical of his work. In fact, The Blue Dahlia is a very good film noir. ... Read full article


The Blue Dahlia (1946)

By Beatrice on Jul 1, 2014 From Flickers in Time

The Blue Dahlia Directed by George Marshall Written by Raymond Chandler 1946/USA Paramount Pictures First viewing/TCM Dark Crimes DVD Raymond Chandler famously wrote his original screenplay for The Blue Dahlia at home during shooting while he was on a drunken bender. ?The plot doesn’t make m... Read full article


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Quotes from

Johnny Morrison: [discovering his wife in close proximity to Harwood] You've got the wrong lipstick on, Mister.


Johnny Morrison: [to the partygoers] Seems I've lost my manners or would anyone here know the difference?


Buzz Wanchek: [sitting down at the bar with two friends] Bourbon straight with a bourbon chaser.
Johnny Morrison: Same.
George Copeland: Two separate glasses. Get it?
Bartender at Gus': Why wouldn't I get it?


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Facts about

Originally Raymond Chandler intended Buzz, the character played by William Bendix, to be the murderer of Helen Morrison. But the U.S. Navy reacted so strongly against the depiction of a service member becoming homicidal due to brain injuries suffered in combat that they threatened never again to cooperate with ANY Paramount production if that ending was left in the film, so Chandler reluctantly rewrote his script to make another character the killer.
Raymond Chandler, who wrote the screenplay, claimed that producer John Houseman was in "the doghouse" and director George Marshall "was a stale old hack who had been directing for thirty years without once having achieved any real distinction", so Chandler went on to the Paramount set to direct some of the scenes himself.
Just after the fight scene between Alan Ladd and the two thugs that kidnapped him, one of the thugs is seen soaking his broken leg in a round tub. That wasn't in the script; the actor had actually broken his leg filming the fight and, without consulting screenwriter Raymond Chandler, director George Marshall rewrote the script to have the character break his leg as well.
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Best Writing Oscar 1946
















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