The Fountainhead (1949) | |
| Director(s) | King Vidor |
| Producer(s) | Henry Blanke |
| Top Genres | Drama, Film Adaptation |
| Top Topics | Book-Based, Integrity, Newspapers, Romance (Drama) |
Featured Cast:
The Fountainhead Overview:
The Fountainhead (1949) was a Drama - Film Adaptation Film directed by King Vidor and produced by Henry Blanke.
The film was based on the novel of the same name written by Ayn Rand published in 1943.
BlogHub Articles:
THE FOUNTAINHEAD ( 1949 )
By Theresa Brown on Apr 8, 2016 From CineMaven's Essays from the CouchThey say there?s no frigate like a book. But what happens when you turn a frigate into a movie? What?ve you got then? Now Voyaging and Speakeasy have partnered up again to host this weekend?s ?BOOK TO COVER: Books to Film Blogathon.? It?s pretty self-explanatory: ?This blogathon is your opportunity... Read full article
The Fountainhead (1949)
By Beatrice on Jun 10, 2015 From Flickers in TimeThe Fountainhead Directed by King Vidor Written by Ayn Rand based on her novel 1949/USA Warner Bros. First viewing/Hulu Plus I cannot fully express my feelings about this film without spoilers. ?Normally, I would suggest that my readers watch the film first but in this case I wouldn’t go ... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
The Fountainhead, Often and Oftener Viewings Makes It Better and Better
By C. S. Williams on Dec 8, 2014 From Classic Film AficionadosWith each viewing of The Fountainhead rather than growing tired of the 65 year old picture, I admire it more and more. Raymond Massey was never more sleazy (in the first two-thirds of the movie), Cooper, strong, silent, never more Cooperesque than in The Fountainhead and Patricia Neal, never more be... Read full article
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Quotes from
Peter Keating: But it's a humanitarian project. Think of the people who live in slums. If you can give them decent housing, you can perform a noble deed. Would you do it just for their sake?
Howard Roark: No! A man who works for others without payment is a slave! I do no believe that slavery is noble. Not in any form, nor for any purpose, whatsoever!
Howard Roark: The creator stands on his own judgment. The parasite follows the opinions of others. The creator thinks, the parasite copies. The creator produces, the parasite loots. The creator's concern is the conquest of nature - the parasite's concern is the conquest of men. The creator requires independence, he neither serves nor rules. He deals with men by free exchange and voluntary choice. The parasite seeks power, he wants to bind all men together in common action and common slavery. He claims that man is only a tool for the use of others. That he must think as they think, act as they act, and live is selfless, joyless servitude to any need but his own. Look at history. Everything thing we have, every great achievement has come from the independent work of some independent mind. Every horror and destruction came from attempts to force men into a herd of brainless, soulless robots. Without personal rights, without personal ambition, without will, hope, or dignity. It is an ancient conflict. It has another name: the individual against the collective.
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Facts about
It only took 59 days to shoot the movie.
Ayn Rand wanted Clifton Webb to play the villain, but studio chiefs nixed the idea and Robert Douglas was cast instead.
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