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Author Archives: Lea Stans
Silents are Golden: The Good, The Bad, And The Not-So-Bad Of Silent Era Acting
Silents are Golden: The Good, The Bad, And The Not-So-Bad Of Silent Era Acting So you’re thinking of taking the plunge and exploring the world of silent films! You’re intrigued by those flickery, black and white images from a time … Continue reading
Silents are Golden: Silent Superstars – Colleen Moore, The Definitive Flapper
Silents are Golden: Silent Superstars – Colleen Moore, The Definitive Flapper During the silent era, there were thousands of young girls who dreamed of being movie stars. For most girls, of course, these were merely daydreams, and the intrepid few … Continue reading
Silents are Golden: Just What the Heck Was German Expressionism?
Silents are Golden: Just What the Heck Was German Expressionism? Many of you have likely seen The Cabinet of Dr. Caligari, or at least have seen a few famous stills. The dramatic sets, the stylized costumes, the deliberately artificial look…it’s … Continue reading
Posted in Posts by Lea Stans, Silents are Golden
Tagged Cabinet of Dr. Caligari, ernst toller, from morn to midnight 1920, german expressionism, homunculus 1916, metropolis, Nosferatu, Paul Wegener, phantom 1922, set design, silent cinema, silent film, somnambulist cesare, Sunrise (1927), the last laugh 1924, the student of prague 1913, the tolem 1915, transfiguraton 1919
2 Comments
Silents are Golden: World War I – The Gamechanger of Film History
Silents are Golden: World War I – The Gamechanger of Film History To commemorate the 100th anniversary of the final year of World War I, I decided to write a piece concentrating on the war’s impact on cinema. I hope … Continue reading
Silents are Golden: A Brief Look at Obscure Silent Film Comedians
A Brief Look at Obscure Silent Film Comedians Since I touched upon the history of silent comedy a couple months ago, I thought I’d do a follow-up post exploring that history in a little more detail. Hope you enjoy! If … Continue reading
Posted in Posts by Lea Stans, Silents are Golden
Tagged ben turpin, Billy Bevan, Buster Keaton, Charles Conklin, charlie chaplin, chester conklin, Comedians, Gale Henry, gloria swanson, Harold lloyd, it's a boy 1920, Keystone Film Company, Louise Fazenda, mabel normand, Mack Swain, Marcel Perez, Max Linder, monty banks, Roscoe Arbuckle, Rose Melville, Silent Comedy, silent film, Sis Hopkins, snooky's twin troubles 1921
1 Comment
Silents are Golden: Silent Superstars – The Dapper Max Linder
Silent Superstars: The Dapper Max Linder Today, we tend to consider famous folks like Mary Pickford or Charlie Chaplin to be our earliest movie stars. But there were some screen actors and actresses who rose to fame even before they … Continue reading
Silents are Golden: A Little Tour Through The History Of Silent Comedy
A Little Tour Through The History Of Silent Comedy When it comes to the genre of silent comedy, everyone’s familiar with the great Charlie Chaplin– perhaps the single most famous figure in cinema– and the solemn-faced Buster Keaton has a large … Continue reading
Posted in Posts by Lea Stans, Silents are Golden
Tagged ben turpin, bunny and finch, charlie chaplin, colleen moore, ford sterling, Harold lloyd, Harry Langdon, her wild oat 1927, history of silent comedy, little tich, Louise Fazenda, mabel normand, Oliver Hardy, race for a life 1913, silent films, Stan Laurel
3 Comments
Silents are Golden: Before the Nickelodeon – The Era of Traveling Moving Picture Shows
Before the Nickelodeon: The Era of Traveling Moving Picture Shows We’ve all seen pictures of beautiful 1920s movie palaces, complete with columns, statues, and enormous lit-up marquees. And their ancestor, the Nickelodeon, is fairly well known–those small, crowded little theaters … Continue reading
Silents Are Golden: Silent Superstars, The Incomparable Mary Pickford
Silent Superstars, The Incomparable Mary Pickford You’ve all seen pictures of her, no doubt–of a girlish actress with long golden curls and a face like an Edwardian valentine. She was often photographed holding puppies and kittens, practically radiating purity and … Continue reading
Silents Are Golden: The Thoroughly Lost Art of the Title Card
The Thoroughly Lost Art of the Title Card A few months ago I wrote a brief overview on silent films title cards, covering both their practical use and their artistic side. Now I’m going to delve a little deeper into … Continue reading
Posted in Posts by Lea Stans, Silents are Golden
Tagged A Trip to the Moon 1902, Balllet Mecanique (1924), Fatty and Mabel Adrift (1916), Forbidden Fruit (1921), From the Manger to the Cross (1912), It (1927), L’Inhumaine (1924), Lady Windermere’s Fan (1916), Mabel’s Wilful Way (1915), Modern Times (1936), movie title cards from silent era, Number Please? (1920), Segundo de Chomon, Should Married Men Go Home? (1928), Sunrise (1927), The “Teddy” Bears (1907), the art of title cards, The Flapper (1920), The Great Train Robbery (1903), The Magic Roses (1906), The Nervous Wreck (1926), The Return of Draw Egan (1916)
4 Comments
