Monthly Archives: January 2025

Western RoundUp: The Lonely Man (1957)

Posted on January 28, 2025 by Laura Grieve

The Lonely Man (1957) It’s been a few months since my last full-length film Western review, so in this month’s column I’m reviewing The Lonely Man (1957), which was just released on Blu-ray by Kino Lorber Studio Classics. I had no previous familiarity … Continue reading →

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Silents Are Golden: Silent Superstars: The Classy Bebe Daniels

Posted on January 23, 2025 by Lea Stans

Silent Superstars: The Classy Bebe Daniels Often overshadowed by the major names like Clara Bow or Louise Brooks, Bebe Daniels is mainly familiar to fans of old Hollywood. But back in the 1920s she was one of the era’s brightest … Continue reading →

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Classic Movie Travels: Clarine Seymour

Posted on January 19, 2025 by Annette Bochenek

Classic Movie Travels: Clarine Seymour Clarine Seymour was born on December 9, 1898, in Brooklyn, New York, New York. She was born to Albert and Florence Seymour, a wealthy Methodist couple. Her father ran a ribbon manufacturing business until 1916, … Continue reading →

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Noir Nook: Quoteable Noir: Part 2

Posted on January 16, 2025 by Karen Burroughs Hannsberry

Quoteable Noir: Part 2 Back in 2019, I kicked off the new year with some of my favorite quotes from some of my favorite noirs. So much has changed in our world since then – but one thing that’s remained … Continue reading →

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Monsters and Matinees: Meet these Obscure Werewolves from Classic Film

Posted on January 11, 2025 by Toni Ruberto

Meet these Obscure Werewolves from Classic Film A werewolf walks into a bar and …. No, that’s not a joke. It’s the opening scene of a 1956 low-budget film with the straightforward and generic title of The Werewolf. And if … Continue reading →

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Silver Screen Standards: On Dangerous Ground (1951)

Posted on January 9, 2025 by Jennifer Garlen

Silver Screen Standards: On Dangerous Ground (1951) Deep frost permeates Nicholas Ray’s 1951 noir classic, On Dangerous Ground, freezing both the soul of its protagonist and the stark winter landscape that dominates the second half of the film. Both constitute … Continue reading →

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